Up-and-coming sports reporter rescues a homeless man ("Champ") only to discover that he is, in fact, a boxing legend believed to have passed away. What begins as an opportunity to resurrect Champ's story and escape the shadow of his father's success becomes a personal journey as the ambitious reporter reexamines his own life and his relationship with his family.
Samuel L. Jackson,
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
In a world with no guns, a mysterious drifter, a bartender and a young samurai plot revenge against a ruthless leader and his army of thugs, headed by nine diverse and deadly assassins.Written by
The small car driven by The Bartender (Woody Harrelson) is an Italian Fiat 600. The red and black cars driven by the street gang are French Renault 8s. The Fiat 600 and its Spanish version SEAT 600 were the first mass production car in Italy and Spain after World War II and in the late fifties and early sixties motorized most of the middle class families in these countries. See more »
When shooting the burning arrow, we see Yoshi's finger wrapped around it. This would not work in reality, as not only would the arrow go entirely it's own way without any control, but it would also cause friction burns, and probably cuts, on the finger. That is a mistake one makes only once. See more »
Long before the dawn of man, strife was already a major component of life. Wherever a creature shared a piece of land with another, it was just a matter of time until a struggle for resources would ensue. Man was no different, showcasing a perverse fascination with violence. Man and civilization brought forth more innovative ways of taking human life than any other function needed for survival. There are more ways of killing a man than there are ways of making bread or making love....
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Depicting the history of man's taste for intraspecies slaughter, the rather nifty, silhouette-animated opening sequence sets up the events leading to the movie's post-apocalyptic, gun-controlled future setting. In these surroundings arise two warriors, each seeking out the villain of the piece for a reason of his own.
This star-loaded feature seems to have everything going for it: a cast of proved pedigree (including Ron Perlman done-up like Rob Zombie); a stylised comic book setting (with the use of modern-day comic heroes as "ancient" legends); and some nifty narration. Unfortunately, I found it quite difficult to give much of a shi t about the story and characters, insipid and generic as they were. The action sequences, whilst hardly the worst I've seen, fail to make much in the way of impact, and half the lines delivered are mumbled, necessitating quite a bit of frustrating backscanning. Admittedly, Harrelson's bartending mentor and Perlman's ennui-stricken Big Bad provide a smidgen of interest, but they're no match for the aesthetically-appealing mediocrity of the film they find themselves in...and can someone tell me what the point of Demi Moore's character was? In summation, a beautifully bland beat 'em-up which took up two hours too many of this viewer's life.
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