Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both ... See full summary »
Basil, a businessman and Chauffeur, Nick, drive into the heart of the rocky mountains in the midst of perilous weather. When the journey becomes potentially fatal, Basil must decide whether he's prepared to sacrifice his life for another.
Boris Arkadin is a horror film maker. His pregnant wife was brutally murdered by a Manson-like gang of hippy psychopaths during the 1960s. He becomes a virtual recluse - until years later ... See full summary »
A black and white, fantasy-like recreation of high-society gay men during the Harlem Renaissance, with archival footage and photographs intercut with a story. A wake is going on, with ... See full summary »
Jill's an artist. Adam's a filmmaker. And their love life is off the chain. There's no experience too wild, no dare too dangerous -- not even when Jill lets Adam strap her to a gurney in ... See full summary »
Youth culture meets identity politics in this part-thriller, part-gay love story set in London in 1977, days before the Queen's Silver Jubilee celebrations. The hedonistic world of pirate ... See full summary »
The Seasons in Quincy' is the result of a five-year project by Tilda Swinton, Colin MacCabe and Christopher Roth to produce a portrait of the intellectual and storyteller John Berger. It ... See full summary »
It seems common enough that artists are often far less interesting then their art when it is good. A great deal makes sense when this is examined.
But it is a particular risk of an artist that someone else might try and make art of their life. What seems to have happened here is the expected dilution.
This man made two extraordinary films early in his life: Tempest and Jubilee. Both of these, incidentally featured Tonya Willcox, a profound presence.
Later in life, he turned himself into his own performance, and thus became dull. Tonya was replaced by Tilda Swinton who would herself do some profound things — but not in a Jarman film.
Then in further dilution of power, this life is turned into a film, created and narrated by Tilda. The rough shape of it her offscreen narration while she intensely looks at the camera from London streets. The message is that Derek was a true prophet of the unprocessed truth. This is interspersed with filmed interviews of the man and shots of the decorated cottage where he spent his last days.
The film itself is sensible and direct. It carries an obvious truth. It is well made. We know when it and his life will end, and they both end gracefully. None of these things are true of a good Jarman film.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
5 of 11 people found this review helpful.
Was this review helpful to you?
| Report this