Having put down his sword and given up the will to fight, the masterless samurai Iemon lives in solitude while being haunted by his violent enigmatic past. Persuaded by a travelling priest ... See full summary »
A vampire named Saya, who is part of covert government agency that hunts and destroys demons in a post-WWII Japan, is inserted in a military school to discover which one of her classmates is a demon in disguise.
Shinya Shokudo is a tv series from Japan since 2009. It tells many stories about ordinary people eat in shinya shokudo, which means a restaurant at midnight. This small restaurant opens from 12 in the evening to 7 in the morning.
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Kengo Yatabe's mother dies and his father is in a coma. He, like his father, was good at kendo. Those days are long gone and he now lofts around as a security guard and generally wastes ... See full summary »
Set in a little restaurant in an inconspicuous lane of Shanghai, which opens at midnight everyday. The owner is a man of about fifty, makes a set of special food for each guest who visits the restaurant, and listens everyone's story.
Tony Ka Fai Leung
Tony Ka Fai Leung,
Tony Yo-ning Yang,
Once a powerful ninja, Kamui walks away from his violent and murderous ways. His travels bring him to a seashore village where he meets Hanbei, a fisherman who shares the former ninja's sense of honor. Though Hanbei's wife is wary of the stranger, the fisherman and Kamui become good friends. Life at the seaside seems idyllic but Kamui doesn't get to enjoy the peace for very long when, one day, a band of pirates arrive... It seems that his past life is catching up on him, and everything and everyone is not as it seems. Now he must draw upon his shadowy arts if he hopes to escape with his life.Written by
This is a film about a ninja called Kamui who decides he doesn't want to be a ninja anymore, problem is, you're not allowed to leave. So death in all it's forms is going to come for Kamui throughout this film. This spawns the familiar trope of the hero who stays alive but gets everyone around him, including his loved ones, killed (like the hardboiled American cop who goes through a fistful of partners as if they were dimes for the telephone). Kamui reminds me of a deciduous tree, the trunk of which remains strong and constant, but whose leaves eventually wilt and abscice. The bounteous autumnal melange of colours preceding the winter barrenness.
It's chambara here all the way, and as it's very ambitious, it's often CGId - wire work can only take you so far in the arena of awesome stunts. The fighters here have really pretty much supernatural skills that make Crouching Tiger look positively undercooked. There's some fun stuff that Kamui fights with, including a knuckleduster with triangular ridges, that can be used for parrying sword blows (though you'd better be pretty accurate with those parries...)
As Kamui (Ken'ichi Matsuyama) is a really rather sullen character, who has appeal more as a heartthrob to potential androphile members of the audience, much of the ready humour in the film is delegated to supporting actors including Kaoru Kobayashi (as Hanbei the fisherman), and Hideaki Ito (as Lord Fudoh, the incredibly appealing and roguish pirate captain).
There's a side story in the movie about a gaily apparelled and brutally petulant daimyo lord. The stories do crossover, but I think the daimyo strand is more there for contrast, the kind of easy god-like existence of the highly undeserving daimyo, with the bleak struggle to survive of Kamui. After all the main threat for Kamui is the ninja fraternity, he's not even a speck on the daimyo's radar.
There's this thing in Japanese movies where they like to confront characters with a personal hell (one of the few Japanese words I regularly recognise in Japanese movies is jigoku - hell). There's a quite effective example of that in this movie.
All in all I would tend to say this movie overdoes the CGI, you can see stuff like waves that leave no filmy coating on surfaces after they recede, and you think hang on why are they using CGI for ... water. It is however highly enjoyable.
One last note is that someone behind the movie should learn a little bit more about shark behaviour maybe, the scenes with them in are funny, but they behave so stupidly and atypically here that it is a little bewildering, even within the encapsulated cinematic world of reduced realism.
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