Now out of prison but still disgraced by his peers, Gordon Gekko works his future son-in-law, an idealistic stock broker, when he sees an opportunity to take down a Wall Street enemy and rebuild his empire.
A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
Jerry and Rachel are two strangers thrown together by a mysterious phone call from a woman they have never met. Threatening their lives and family, she pushes Jerry and Rachel into a series of increasingly dangerous situations, using the technology of everyday life to track and control their every move.
As the global economy teeters on the brink of disaster, a young Wall Street trader partners with disgraced former Wall Street corporate raider Gordon Gekko on a two-tiered mission: To alert the financial community to the coming doom, and to find out who was responsible for the death of the young trader's mentor.Written by
Anthony Scaramucci: The writer of 'Goodbye Gordon Gekko', who appears often on CNBC, makes an appearance as an unnamed character. See more »
In a scene where Gordon Gekko and Jake Moore are riding in a cab, it shows the cab driving for quite a long time before showing the meter, which only reads $2.90. Given that New York cab meters start at $2.50 and would increase to $2.90 after only 1/5 of a mile, it is apparent that the meter was either not really running or shot at a different time in the cab ride than was shown in the movie. See more »
I loved this movie until its final thirty minutes or so. During those thirty minutes you realize that Stone and his team of writers were searching desperately for a way to end the movie on a positive, hopeful note. We are left to plod along with them on this implausible track. Also, during the ending Gekko's daughter's character consistency is shot to hell and she appears as venal as the characters against whom she rails.
Those moments are especially disappointing because I believed that this movie had the potential to be Stone's best film ever. Carey Mulligan and Michael Douglas in particular delivered great performances. Shia Lebeouf is "good enough." The writing is fairly unpredictable then everything seems to be tied into a nice bundle near the end. The problem was that Stone couldn't quite bring himself to put the bow on that bundle. He wanted to add a bit of glitter to it, which seemed gaudy and completely out of place.
Bottom line: if this movie had ended on a somewhat dark note it would have reflected the reality of modern day Wall Street, and it would have made for a tighter, better movie.
It's worth watching, and if you liked the first Wall Street it probably won't disappoint you. You might want to leave during its third act, though :)
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