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Mary and Max (2009)

Not Rated | | Animation, Comedy, Drama | 9 April 2009 (Australia)
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A tale of friendship between two unlikely pen pals: Mary, a lonely, eight-year-old girl living in the suburbs of Melbourne, and Max, a forty-four-year old, severely obese man living in New York.

Director:

Adam Elliot

Writer:

Adam Elliot
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Top Rated Movies #182 | 4 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Christopher Massey ... 911 Operator / Ambulance Voice / Derisive Observer (voice) (as Chris Massey)
Oliver Marks Oliver Marks ... Alleyway Bully One (voice)
Daisy Kocher Daisy Kocher ... Alleyway Bully Two / Bird Injury Girl / Bus Stop Girl / Katherine Ramsay (voice)
Daniel Marks Daniel Marks ... Alleyway Bully Three (voice)
Hamish Hughes Hamish Hughes ... Animals (Miscellaneous) / Mad Jury Member / Opera Singer Two (voice)
Dan Doherty Dan Doherty ... BMX Bandit (voice)
Julie Forsyth Julie Forsyth ... Bus Stop Mother / Kissing Woman (voice)
Mandy Mao Mandy Mao ... Cher the Chihuahua / Sonny the Chihuahua (voice)
Eric Bana ... Damien Popodopolous (voice)
Patrick McCabe ... Datsun Sunny Driver (voice)
Adam Elliot ... Dr. Bernard Hazelhof / Garbo Two / Grandpappy Ralph / Ivan Ruby Bevan / Mr. Ravioli / Postmaster / Runover Kitten / Worm (voice)
Mr. Peck Mr. Peck ... Ethel the Rooster (voice)
Michael James Allen Michael James Allen ... Ferrari Driver (voice) (as Michael Allen)
Bill Murphy Bill Murphy ... Frankston Icebreaker One (voice)
Shaun Patten Shaun Patten ... Frankston Icebreaker Two (voice)
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Storyline

In the mid-1970's, a homely, friendless Australian girl of 8 picks a name out of a Manhattan phone book and writes to him; she includes a chocolate bar. She's Mary Dinkle, the only child of an alcoholic mother and a distracted father. He's Max Horowitz, an overweight man with Asperger's, living alone in New York. He writes back, with chocolate. Thus begins a 20-year correspondence, interrupted by a stay in an asylum and a few misunderstandings. Mary falls in love with a neighbor, saves money to have a birthmark removed and deals with loss. Max has a friendship with a neighbor, tries to control his weight, and finally gets the dream job. Will the two ever meet face to face? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Sometimes perfect strangers make the best friends. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Australia

Language:

English | Yiddish

Release Date:

9 April 2009 (Australia) See more »

Also Known As:

Mary & Max See more »

Filming Locations:

Melbourne, Victoria, Australia

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Box Office

Budget:

AUD8,240,000 (estimated)

Cumulative Worldwide Gross:

$1,725,381
See more on IMDbPro »

Company Credits

Production Co:

Melodrama Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

All of the water scenes were created with lubricant. See more »

Goofs

When Mary sees all of her letters on Max's wall, there are letters which are exact duplicates of others. See more »

Quotes

[first lines]
Narrator: Mary Dinkle's eyes were the color of muddy puddles. Her birthmark, the color of poo.
See more »

Crazy Credits

The end credits show animated portraits of the characters, with the actors names beneath them. See more »

Connections

Featured in WatchMojo: Top 10 Animated Movies for Adults (2015) See more »

Soundtracks

Prelude and Yodel
Composed by Simon Jeffes
Performed by the Penguin Cafe Orchestra
See more »

Frequently Asked Questions

See more »

User Reviews

 
And you thought Dial-up was slow....
4 May 2009 | by anthonyjlangfordSee all my reviews

A couple of claymation misfits who are worlds apart, form an unlikely dialog, in a pre-Internet age where it takes weeks to get a reply.

There is a growing trend amongst publishers and in Hollywood, where the writer is strongly urged to rather show the story rather than tell it. This is fine for certain works, especially action films, but I personally believe that the aforementioned edict is a steaming pile of moronic dribble. People are more than intelligent enough to garner rich satisfaction from being provided a story in any form as long as the story itself holds interest. Its worked fine for all the classics in literature, most of which are still being read in droves, but many believe that audiences are stupid and need to shown everything and must capture their attention in the first five seconds. Indeed, most manuscripts are rejected based upon their first page, a ridiculous scenario.

In this case, there is much in the way of telling via the voice-over of the wondrous Barry Humphries and yet the visuals provide us with an extra layer on information, working with the voice-over rather than being hindered by it. Occasionally it goes on too long, but Adam Elliot is incredibly brave in wanting to tell this story his way. Aside from stylistic similarities to his earlier shorts, he has remained true to himself. He thanks a lot of people in regards to his script; its clear he has made the effort to get it right, proving the basic notion in screen writing, is to get right on the page first folks. The script is a gem, finding the humor in a rather grim tale, without ever being patronizing to the characters or their plight. If anything, he manages to reinforce their humanity.

The choice of music is ideal, setting a tone that is complimentary and yet as though these classical pieces were designed specifically for this wide, but often claustrophobic gray universe. I hope audiences embrace it on the big screen as there is glorious detail lurking in the background, providing an extra chuckle or irony for the keen eye. If there was ever a reason to leave the home theater, this is it. Mary and Max is a brilliant, entertaining work of visual art combined with depth and grace.

There was a couple of moments when I raised eyebrows at certain things that didn't fit correctly for the late seventies, such as the mention of Stephen Hawking as well as cigarette patches (which debuted in the early 90's) but otherwise this laugh out loud, tear to the eye unique celluloid experience is one of the standouts of the year.


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