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Prom Night (2008)

PG-13 | | Horror, Mystery | 11 April 2008 (USA)
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Donna's senior prom is supposed to be the best night of her life, though a sadistic killer from her past has different plans for her and her friends.

Director:

Nelson McCormick

Writer:

J.S. Cardone
Bottom Rated Movies #99 | 1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Brittany Snow ... Donna Keppel
Scott Porter ... Bobby
Jessica Stroup ... Claire
Dana Davis ... Lisa Hines
Collins Pennie ... Ronnie Heflin (as Collins Curtis Pennié Robinson)
Kelly Blatz ... Michael
James Ransone ... Detective Nash
Brianne Davis ... Crissy Lynn
Kellan Lutz ... Rick Leland
Mary Mara ... Ms. Waters
Ming-Na Wen ... Dr. Elisha Crowe (as Ming Wen)
Johnathon Schaech ... Richard Fenton
Idris Elba ... Detective Winn
Jessalyn Gilsig ... Aunt Karen Turner
Linden Ashby ... Uncle Jack Turner
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Storyline

Donnas senior prom is supposed to be the best night of her life, one of magic, beauty, and love. Surrounded by her best friends, she should be safe from the horrors of her dark past. But when the night turns from magic to murder there is only one man who could be responsible, the man she thought was gone forever. Now, Donna and her friends must find a way to escape the sadistic rampage of an obsessed killer, and survive their Prom Night. Written by Davi Silva

Plot Summary | Plot Synopsis

Taglines:

A night to die for See more »

Genres:

Horror | Mystery

Motion Picture Rating (MPAA)

Rated PG-13 for violence and terror, some sexual material, underage drinking, and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Canada

Language:

English | Italian

Release Date:

11 April 2008 (USA) See more »

Also Known As:

Noche de graduación sangrienta See more »

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$20,804,941, 13 April 2008

Gross USA:

$43,869,350

Cumulative Worldwide Gross:

$57,197,876
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (unrated)

Sound Mix:

Dolby Digital | DTS | SDDS

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Holds the distinction of being the first slasher film in the history of horror films to receive a PG-13 rating (When a Stranger Calls (2006) doesn't necessarily count as the killer doesn't use knives), an aspect of the film that was critically reviled by fans and critics alike. See more »

Goofs

Richard Fenton's "disguise" is hardly foolproof enough for him to get around undetected. He merely trimmed his beard, leaving some stubble, and cut off his shoulder length hair to a buzz cut, and wears a baseball cap. That's it. The authorities would still be able to recognize that it's him based on his build, face shape, and overall physical appearance alone. Even stealing the clothes of a bellhop would not be enough of a disguise, as his face is still exposed even then. See more »

Quotes

Lisa: What color is your dress?
Donna: It's a champagne color. Then it's a little sexy.
See more »

Alternate Versions

The following differences between the Theatrical and the Unrated versions: 1. The father's bloody hand is a little longer. 2. After Donna tries to reach the police car, you can see an extended shot of her horrified face. 3. The Housekeeper's death scene is more explicit. 4. Claire finding Fenton is slightly altered. In the Theatrical version, Fenton instantly grabs Claire. In the Unrated version, Fenton slowly walks to her and Claire realizes it's him before being grabbed. 5. Claire is shown being stabbed twice in the Theatrical version, while in the Unrated version she is stabbed multiple times. 6. Claire's dead body shows more bloody stab wounds. 7. Micheal's death scene is a little longer. 8. Howard Ramsey's corpse shows a bloody cut wound on his throat, while in the theatrical, it showed no wound at all. 9. Lisa's chase scene is a lot longer in the unrated version: After Lisa falls down the stairs, Fenton is shown pulling his knife out. After Lisa runs to the construction floor, there is one brief shot of Fenton holding a knife. Lisa runs through the corridors a little longer. Fenton is shown walking to the corridors while Lisa is trying to reach the elevator. After Lisa closes the door, Lisa is shown peeking through the doorknob hole and Fenton is seen walking closer. Lisa hiding under the Table is a little longer. 10. After Donna finds Claire's body under the bed, her eyes were shut in the theatrical, while the unrated, her eyes were open. 11. After Michael's body is found by falling down from the closet, there is one more shot of his body. 12. After the SWAT team finds Lisa's body, you can clearly see a massive cut wound on her throat in the unrated. The Theatrical version shows Detective Winn's disgusted and horrified face instead. 13. After Winn sees blood dripping from the vent and peeks up. The employee's corpse is a little different. Just like Claire, his eyes were shut in the theatrical and his eyes were open in the unrated. 13. Bobby's cut throat wound is more bloody. 14. Winn shooting Fenton is more bloody and longer. Bloody gunshot wounds are shown more detailed than the theatrical version. Winn also shot Fenton two more times before he falls down. See more »

Connections

Referenced in Who Wants to Be a Millionaire: Episode #7.15 (2008) See more »

Soundtracks

Take Me Back
Written by Tasha Thorbourne, Nyanda Thorbourne, Nailah Thorbourne, Adam Ruhnke and Chris Perry
Performed by Brick and Lace
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

Not Funny, Not Scary, Not Sexy, Not Entertaining.........
13 November 2011 | by MWNieseSee all my reviews

***Three Out of Ten Stars***

Where does one begin to try to explain what a complete debacle of a disgrace this film is? Right off the bat, you know you're in trouble when a film production needs eight different producers to get off the ground. This means you have eight different people pulling in eight different creative directions, even if they delusion-ally believe they're all headed in the same direction; they're not. I don't need to re-numerate all the negative aspects of this film which have already been posted on this web site. What I will say, is what a terrible shame Sony dropped $20,000,000 on this waste of a film. Imagine the long line of creative, budding horror film makers that would've jumped at the chance to work with a mere $5,000,000; and in turn, undoubtedly, producing a unique and artistic horror film creation. But instead of adding to the artistic ingenuity of the horror genre, Sony drops this pile of crap in our laps. Thanks for nothing Sony.


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