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After.Life (2009)

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1:59 | Trailer
After a car accident, a young woman caught between life and death meets a funeral director who claims to have the gift of transitioning the dead into the afterlife.
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Christina Ricci ... Anna Taylor
Liam Neeson ... Eliot Deacon
Justin Long ... Paul Coleman
Chandler Canterbury ... Jack
Celia Weston ... Beatrice Taylor
Luz Alexandra Ramos Luz Alexandra Ramos ... Diane (as Luz Ramos)
Josh Charles ... Tom Peterson
Rosemary Murphy ... Mrs. Whitehall
Malachy McCourt ... Father Graham
Shuler Hensley ... Vincent Miller
Alice Drummond ... Mrs. Hutton
Sam Kressner Sam Kressner ... Acne Kid
Doan Ly ... Teacher #1
Jack Rovello ... Tall Kid
Prudence Wright Holmes ... Old Woman #1
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Storyline

After a horrific car accident, Anna (Ricci) wakes up to find the local funeral director Eliot Deacon (Neeson) preparing her for her funeral. Confused, terrified and feeling still very much alive, Anna doesn't believe she's dead, despite the funeral director's reassurances she's merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna's forced to accept her own death. But Anna's grief-stricken boyfriend Paul (Long) can't shake the suspicion that Eliot isn't what he appears to be. Written by Anchor Bay Films

Plot Summary | Plot Synopsis

Taglines:

Life is the symptom. Death is the cure. See more »


Motion Picture Rating (MPAA)

Rated R for nudity, disturbing images, language and brief sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

26 August 2010 (Netherlands) See more »

Also Known As:

After Life See more »

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Box Office

Budget:

$4,500,000 (estimated)

Opening Weekend USA:

$59,946, 11 April 2010

Gross USA:

$108,595

Cumulative Worldwide Gross:

$2,005,519
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The prop knife used by Anna (Christina Ricci), is the same one used by Alex (Glenn Close) in Fatal Attraction (1987). See more »

Goofs

(at around 59 mins) When Paul takes the envelope from Anna's desk, it is face up and closed. As he brings it up for a closer look it is open with the pictures hanging out and face down. See more »

Quotes

[first lines]
Eliot Deacon: It's time now. You're absolutely beautiful for your funeral.
[crossing his hands]
Eliot Deacon: It's as if you were still alive. Just sleeping. This is how they're all going to remember you.
See more »

Soundtracks

Champagne For Two
Written by Greg Shearer (ASCAP)
Published by Branded Music (ASCAP)
Provided by Crucial Music Corporation
See more »

Frequently Asked Questions

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User Reviews

 
Good idea gone wrong
28 August 2010 | by Samiam3See all my reviews

Driving carelessly in the rain one night, Anna Taylor has a car accident which kills her. She is DOA, or is she. Anna wakes up in the basement of the local funeral home, and the funeral director tells her that she is dead (with a certificate to prove it). He also tells her that he can talk to the dead. Anna wants out, but he will not let her leave, claiming that she must accept the truth. Is she really dead or is he nuts?

After Life has a great set-up, but from there, things get worse. What keeps the viewer hooked is the promise of an an upcoming climactic twist, like that in the Sixth Sense (the film which After Life has its roots in). Unfortunately, with each passing chapter, it becomes more evident that the outcome we would like is not going to come.

Yet what is more bothersome about After Life is that frankly it is dull. I see an idea here, but I don't see a movie. After Life recalls Awake in that it functions well as an experiment in psychologically related themes, but it doesn't provide exiting or suspenseful material. After Life has really nowhere to go, but down. Despite being partial fantasy, its inability to make sense is aggravating and not acceptable. After Life could have and should have been way more potent than this.


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