7.8/10
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1,430 user 706 critic

Drive (2011)

Trailer
2:32 | Trailer
A mysterious Hollywood stuntman and mechanic moonlights as a getaway driver and finds himself in trouble when he helps out his neighbor in this action drama.

Writers:

Hossein Amini (screenplay), James Sallis (book)
Popularity
492 ( 18)

Which Blockbusters Did Ryan Gosling Turn Down?

Drive gave him a snazzy wardrobe and a memorable electro-pop soundtrack. Would Ryan Gosling have signed onto these other projects if they provided him the same?

See some of the roles Ryan nixed

Nominated for 1 Oscar. Another 77 wins & 173 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ryan Gosling ... Driver
Carey Mulligan ... Irene
Bryan Cranston ... Shannon
Albert Brooks ... Bernie Rose
Oscar Isaac ... Standard
Christina Hendricks ... Blanche
Ron Perlman ... Nino
Kaden Leos Kaden Leos ... Benicio
Jeff Wolfe ... Tan Suit
James Biberi ... Cook
Russ Tamblyn ... Doc
Joe Bucaro III Joe Bucaro III ... Chauffeur (as Joey Bucaro)
Tiara Parker ... Young Woman
Tim Trella ... Hitman #1
Jimmy Hart ... Hitman #2
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Storyline

This action drama follows a mysterious man who has multiple jobs as a garage mechanic, a Hollywood stuntman and a getaway driver seems to be trying to escape his shady past as he falls for his neighbor - whose husband is in prison and who's looking after her child alone. Meanwhile, his garage mechanic boss is trying to set up a race team using gangland money, which implicates our driver as he is to be used as the race team's main driver. Our hero gets more than he bargained for when he meets the man who is married to the woman he loves. Written by shin

Plot Summary | Plot Synopsis

Taglines:

There Are No Clean Getaways See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong brutal bloody violence, language and some nudity. | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

16 September 2011 (USA) See more »

Also Known As:

Drive See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$11,340,461, 18 September 2011

Gross USA:

$35,061,555

Cumulative Worldwide Gross:

$76,176,032
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Ryan Gosling's character wears a jacket with a scorpion on the back. Gosling also happens to be a Scorpio (born November 12, 1980). See more »

Goofs

When Driver is obtaining his Chevrolet Impala for the heist, he is told that the stock engine has been swapped for one with over 300 horsepower. In reality, that generation Impala (ninth generation) already had an available engine with over 300 horsepower. The Impala SS came with the 5.3 L LS4 V8 engine producing 303 horsepower. The SuperSport (SS) model was likely avoided because the trim package and other extras were not as common than other ninth generation Impalas and might make the car more distinguishable to police. See more »

Quotes

[first lines]
Driver: [on phone] There's a hundred-thousand streets in this city. You don't need to know the route. You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I'm yours. No matter what. Anything happens a minute either side of that and you're on your own. Do you understand?
[pause]
Driver: Good. And you won't be able to reach me on this phone again.
See more »

Alternate Versions

The preview version of the movie has slightly different dialogue in the telephone conversation between Bernie Rose and Driver preceding the meeting at the Great Wall restaurant. Regular theatrical cut Driver: [to Bernie] You know the story about the scorpion and the frog? Your friend Nino didn't make it across the river. Preview version Bernie Rose: Where's Nino? Driver: He's Gone. The reference to the story about the scorpion and the frog was left out of the preview version. See more »

Connections

Referenced in Bob's Burgers: Tina and the Real Ghost (2014) See more »

Soundtracks

Under Your Spell
Written by Johnny Jewel
Performed by Desire
Courtesy of Italians Do It Better Records
See more »

Frequently Asked Questions

See more »

User Reviews

 
Great use of Subtlety
21 October 2011 | by kgprophetSee all my reviews

It would be difficult to write about parts of the storyline in this film, because many expectations change when the consequences of one event folds upon another. A terrific original screenplay defies Hollywood conventions of over-the-top plot convolutions and unrealistic twists. Sure, there are a couple coincidences, but there are many rewards for keeping the story simplified and enhance the characters' arcs. The director borrows heavily from Michael Mann in painting a cool atmosphere with glistening city lights at night and a throbbing synthesiser soundtrack. The film elevates itself above any other similar film in it's drama, perhaps better than the character rich film "The Town" from 2010. The editing emphasises the main character's withdrawn persona, hiding his emotions (indirectly hinting at his criminal past) while romancing his neighbour. Moments in conversation where a 'normal' person would express their feelings or be more extroverted, are instead tension filled passages of silence that speak louder than words. With great use of subtlety, the film does wonders in terms of depicting the main character's withdrawn mental state, but still visualising his thoughts and intentions without direct exposition.

Another accolade must be given to actor Ryan Gosling in the lead role. We the audience must invest time into this character, which the film keeps in the first person narrative, most activities outside of his knowledge are outside of ours. He must show realistic reactions to danger, even though his past is never quite explained. The right emphasis is given to revealing moments of his capabilities, so when he is set in harm's way, we believe he can stand up to the test. The rest of the cast is well heeled in talent, allowing the sense of naturalism to provide the tone. As you may notice in critical reviews, when a film exposes no obvious weaknesses, the positive rating goes up. I myself am having a hard time exposing any weakness in this film, I felt I was in good hands, and was not annoyed by any plot contrivances. I happen to be a fan of Michael Mann, as must the director of this film, and the right homage elements work for me. I think of this perhaps of the antithesis of "Fast & Furious". One of the best films I have seen this year, could even get an Oscar nod with the screenplay or editing.


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