Zane Grey Theater (1956–1961)
6.7/10
6
2 user

Sundown Smith 

Sundown Smith is enjoying a meal on the trail when he crosses paths with a murderer who takes his horse and forces him to change shoes. Now, the bloodhounds are after Sundown.

Director:

William D. Faralla

Writer:

Heck Allen (as Clay Fisher)
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Cast

Episode credited cast:
Jack Carson ... Sundown Smith
Simon Oakland ... Jesse Harp
Ray Ferrell Ray Ferrell ... Bobby Bromley
George Wallace ... Borkman
Sarah Selby ... Maude Gurney
Rest of cast listed alphabetically:
John Hoyt ... Hannigan
Dick Powell ... Himself - Host
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Storyline

Sundown Smith is enjoying a meal on the trail when he crosses paths with a murderer who takes his horse and forces him to change shoes. Now, the bloodhounds are after Sundown.

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Plot Keywords:

changing shoes | See All (1) »

Genres:

Western

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Details

Language:

English

Release Date:

24 March 1960 (USA) See more »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording)

Aspect Ratio:

1.33 : 1
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User Reviews

So lousy, I can't believe it !!!
3 November 2018 | by searchanddestroy-1See all my reviews

The only surprise here is the Jack Carson's performance in a western, instead of the lead's best friend, or the perfect, brother in law for the main character, in Warner Bros productions, starring Doris Day and Ronnie Reagan...here he IS the lead. That's all folks!!! For the rest, everything is so flat and so predictable. You can foresee everything ten miles in advance. OR the best try would have been to put Simon Oakland, used to the heavies roles - as the poor dude's character - Jack Carson - and Carson as the bad guy. THAT WOULD HAVE BEEN WISE, instead of this boring and tepid topic. That episode is the perfect example, one too many, of this TV show, anthology TV show, where I would have expected akind of Alfred Htchcock's schèmes, with surprising and unusual plots or, even more, even best, surprising endings. Twist endings. Oh, as I have already told in revious reviews, some episides from ZANE GREY are more than worth, because the endings make you think or cry, or feel moved or disturbed. Here, nothing of the kind.


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