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Omkara (2006)

Not Rated | | Action, Crime, Drama | 28 July 2006 (USA)
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0:31 | Trailer
A politically-minded enforcer's misguided trust in his lieutenant leads him to suspect his wife of infidelity in this adaptation of Shakespeare's 'Othello'.

Director:

Vishal Bhardwaj

Writers:

Vishal Bhardwaj (screenplay), Robin Bhatt (screenplay) | 4 more credits »
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Top Rated Indian Movies #78 | 19 wins & 20 nominations. See more awards »

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Cast

Credited cast:
Ajay Devgn ... Omi Shukla (as Ajay Devgan)
Saif Ali Khan ... Langda Tyagi
Vivek Oberoi ... Kesu Upadhyaya (as Viveik Oberoi)
Kareena Kapoor ... Dolly Mishra
Konkona Sen Sharma ... Indu Tyagi
Bipasha Basu ... Chamanbahar 'Billo'
Naseeruddin Shah ... Bhaisaab
Deepak Dobriyal ... Raiju Tiwari
Manav Kaushik ... Surendra Kaptaan
Kamal Tiwari Kamal Tiwari ... Advocate Raghunath Mishra
Rest of cast listed alphabetically:
Chetana Das
Rahul Kumar ... Langda Tyagi's Son
Omkaar Omkaar
Niraj Sah Niraj Sah ... Police Inspector
Pankaj Tripathi ... Kichlu (as Pankaj Tripathy)
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Storyline

Advocate Raghunath Mishra has arranged the marriage of his daughter, Dolly, with Rajan, knowing fully well that Dolly loves Omkara Shukla. Before the marriage could take place, the groom's party is attacked, they flee, and Dolly is reportedly abducted. Raghunath is able to trace Dolly to Omkara, a criminal and hit-man, a verbal confrontation ensues until Politician Bhaisaab telephonically intervenes, and a crestfallen Raghunath faces the reality that Dolly was not abducted but is here with Omkara by her own free will. He warns Omkara, and departs. Shortly thereafter, Bhaisaab is shot at and wounded, announces that Omkara should stand in the next election, and as a result, Omkara appoints one of his lieutenants', Keshav Upadhyay in his place as the 'Bahubali". Omkara realizes that he may have blundered in having Keshav succeed him, as Keshav is unable to control his temper when under the influence of alcohol, which puts him in the bad books of Omkara. Then Omkara suspects that Keshav ... Written by rAjOo (gunwanti@hotmail.com)

Plot Summary | Plot Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

India

Language:

Hindi

Release Date:

28 July 2006 (USA) See more »

Also Known As:

Омкара See more »

Filming Locations:

Allahabad, Uttar Pradesh, India See more »

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Box Office

Opening Weekend USA:

$427,400, 30 July 2006

Gross USA:

$1,244,576

Cumulative Worldwide Gross:

$16,466,144
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

In the shot in which Saif Ali Khan is in the shadows, looking at a mirror, director Vishal Bhardwaj suggested that it would be very artistic and beautiful if Khan did it naked. The actor answered, "I am prepared to do that as long as you direct me naked." That was the end of the topic. See more »

Goofs

When Advocate Raghunath Mishra and his men confronts Omkara's men at Tyagi's hostel, everyone's position changes between shots. See more »

Quotes

Omkara 'Omi' Shukla: You make bets on horses, idiot. Not on lions.
See more »

Connections

Version of Othello, ou 'Le more de Venise' (1909) See more »

Soundtracks

The Tragedy of Omkara
Composed by Vishal Bhardwaj
Courtesy of EROS Music
See more »

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User Reviews

 
Cinema at its finest.
27 October 2006 | by vjunkmailsterSee all my reviews

If you like cinema, it's beyond me how you can not like this movie.

There's so much to love here. The precision and nuance the director employs is beautiful. There are so many scenes that only last a few seconds, but they leave such an indelible effect. Like cinematic poetry. So many opportunities for extended conflicts and contrived drama is eschewed in favor of a shot that lingers for just a few moments, letting you know everything you need to.

The director really gets it. And because he gets it, the actors are free to act, all doing much better work than we're used to seeing. Saif steals the show. Othello, the play, needs Iago.

And Saif takes that ubermensch archetype and runs with it, from the broad strokes of the character, the obvious facets embodied in his physicality and his his presence, to the more subtle notes like that glimmer of lonely angst in his eyes. And he does it without ever trying to upstage anyone, or at least does a good job of giving that impression.

The birthday party scene, where he quietly begs for some sign of affection from anyone gathered and finds himself all alone, was touching in a surprising way - I've seen a lot of movies, and I think I even pride myself on not falling prey to the usual appeals to emotion; the same techniques that directors and actors use over and over again. But, this caught me off-guard. There's a level of depth to the verisimilitude and nuance that's hard to come by.

The role that music plays in all this is also amazing. Not surprising because the director, Vishal Bharadwaj, comes from an accomplished musical background. It rarely calls attention to itself and always seems to complement the visuals and action in perfect sync. A thing of beauty, really.

Anyway, reading what I've written so far, you might think that this movie is only for people who take movies too seriously, maybe. People who're very concerned with the technical aspects of it etc.

But, that's really not the case. It is an adaptation of Shakespeare's Othello, and it never strays too far from it's source. It's Shakespeare, that yardstick of universally applicable human experience.

I found myself relating to every character in the movie, even the minor ones. It engages you on a level that few movies ever do and does it without asking too much. Because there are no long monologues. The dialogue is succinct and apt. The visuals are always pretty, many of the frames like paintings taken by themselves. In other words, despite belonging to that post-Tarantino MTV generation, expecting constant stimulation and engagement to be provided to you instead of actively investing it, I had no trouble with this movie.

The film doesn't have the arrogance to ask you to sacrifice your viewing pleasure because it's Shakespeare and invest extra amounts of energy and attention. Without using the word in a bad way at all, there's plenty of entertainment here. And that's Shakespeare too.


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