A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California presents miner-turned-oilman Daniel Plainview, a driven man who will do whatever it takes to achieve his goals. He works hard but also takes advantage of those around him at their expense if need be. His business partner/son (H.W.) is, in reality, an "acquired" child whose true biological single-parent father (working on one of Daniel's rigs) died in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins whose family farm Daniel purchases for the major oil deposit located on it. Eli, a local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the ...Written by
Huggo / edited by statmanjeff
In the novel Oil, the characters that Daniel and H.W. Plainview are based on are named J. Arnold Ross and J. "Bunny" Arnold Ross junior, respectively. See more »
At the end of the scene when Paul Sunday shows Daniel Plainview the location of the Sunday Ranch on the map, Paul picks up a hat that is quite clearly his own and not Daniel's - Daniel's hat is a dun brown "boss of the plains", while Paul's is grey and more like a wide-brimmed fedora. See more »
Why are you talking about Paul?
I did what your brother couldn't.
Don't say this to me.
I broke you and I beat you. It was Paul who told me about you. He's the prophet. He's the smart one. He knew what was there and he found me to take it out of the ground, and you know what the funny thing is? Listen... listen... listen... I paid him ten thousand dollars, cash in hand, just like that. He has his own company now. A prosperous little business. Three wells producing. Five thousand dollars a week.
[...] See more »
There are no opening credits, except for the title See more »
A film that will leave film-goers pondering for a long time
PT Anderson delivers perhaps his best work with "There Will Be Blood". Unlike "Magnolia", the film's daunting runtime is not very daunting whilst watching it. All acting in the film was solid, even the work of the child actors. Daniel Day-Lewis in particular delivered a truly phenomenal performance, capturing the power of greed, fear, insanity, and comedy simultaneously, at many points throughout the film. At no point does the time period distract from the power of the film. Sometimes period pieces cannot be appreciated because they delve too deep into historical details -- turning the experience into more of a documentary than a narrative set in the past. This is not the case for "There Will Be Blood", as human interactions are the focus of the film. Johnny Greenwood's chilling score is very strong, benefiting from the elegant minimalism that he show's in the band Radiohead. The cinematography is also spectacular. Robert Elswit beautifully captures the essence of the environment and the tension amongst the characters. All in all, this is truly a perfectly crafted film.
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