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Smoking/Non-Smoking (2011)

Smoking Nonsmoking (original title)
Twelve Angry Men meets Silkwood in a suspenseful feature inspired by true stories, starring Lucie Arnaz (The Jazz Singer) and Elisabeth Moss (Girl Interrupted, Madmen). A young man ... See full summary »


Alyssa R. Bennett (as Alyssa Rallo Bennett)


Alyssa R. Bennett (as Alyssa Rallo Bennett), Gary O. Bennett
5 wins & 1 nomination. See more awards »


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Cast overview, first billed only:
Lucie Arnaz ... Eleanor Jordan
Elisabeth Moss ... Diana Whelan
Zach Galligan ... Anson
Ryan Homchick ... Jack Jordan Jr.
Adam Ferrara ... Cassidy
Fiona Choi ... Wang
Jennifer McCabe ... Ingrahm
Roger Robinson ... Jeffries
Molly Culver Molly Culver ... Farrell
Angie Martinez ... Diego
Scott Bryce ... Jack Jordan Sr.
Peter Francis James ... Marc Forrest
Liam Broggy ... Young Jack Jordan Jr.
Angela Pietropinto ... Dr. Elisabeth Lin
Jennifer Merrill Jennifer Merrill ... Angela


Twelve Angry Men meets Silkwood in a suspenseful feature inspired by true stories, starring Lucie Arnaz (The Jazz Singer) and Elisabeth Moss (Girl Interrupted, Madmen). A young man testifies against his mother for killing the father with secondhand smoke. Inspired by documented cases, "Smoking Non Smoking" weaves together the jury's cinema verite style deliberation, provocative courtroom testimony, flashbacks and the family's intimate home movies. An ambitious Assistant District Attorney (Carlos Leon, "The Big Lebowski," "The Woodsman" ) prosecutes a wife and mother (Lucie Arnaz) for murder after her forty-seven year-old husband dies of lung cancer. Their twenty-four year-old son decides to testify against her. At first, this appears to be a ridiculous case, but one juror's doubts (Jennifer McCabe) and inspirations - a student of hers (Elisabeth Moss) force the jury into an intriguing, emotional and complicated choice regarding addiction, loyalty and individual responsibility. Written by Anonymous

Plot Summary | Plot Synopsis


The Pack is a riveting drama where addiction, love and murder are burning issues. See more »





Official Sites:

Official site | Official site





Release Date:

13 October 2011 (USA) See more »

Also Known As:

Smoking/Non-Smoking See more »

Filming Locations:

New York, USA See more »

Company Credits

Show more on IMDbPro »

Technical Specs



Color (Technicolor)| Color
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User Reviews

Are we each other's keeper? Smoking/Non-Smoking is a provocative, uncompromising film.
1 July 2012 | by tierney-406-38813See all my reviews

I'm drawn to films that ask the big questions and am always disappointed when they end with the answers in shiny, prepackaged bundles, pocket sized so we can take them with us. Those tiny, feel good endings usually end up disintegrating in the laundry and are soon forgotten. What is, or rather, where is the point? Where is the edge that keeps us alert, provoking us to dig deeper into ourselves for answers? In my view, that's the point of art.

Smoking/Non-Smoking is a provocative, uncompromising film. If you allow yourself to experience, as I did, the seat-squirming discomfort of seeing up close an unflattering side of yourself in the very human, believable characters in the film. Who among us does not pass judgment on another's weakness, vanity, self-centeredness or self-righteousness? And here the lure to judge a self-centered wife and mother opens up a Pandora's's box of cultural vipers -- even with our best efforts to remain neutral and objective.

The film can be described as a tense, courtroom drama and morality tale about individual responsibility, the context of which is the accusation that the death of a husband was caused by the second hand smoke of the wife (the human inferno played with volatility and conviction by Lucie Arnaz). The twist, it's the 24 year son who is the accuser.

But all this is only to set the stage to ask profoundly deep questions about relationships within our families, our communities and in the courtrooms and deliberating halls of justice which are to act when we fail to do the "right" thing.This film dares to ask the question: How far can I carry my individual desires, pleasures and addictions? Through courtroom cross examinations and expert witness testimonies, intense arguments by a diversity of jurors with varying perspectives, life experiences and temperments, and private conversations between son and mother, lawyers and clients, we arrive at the limits of what our logical minds can hold and are wrenched by the emotions that surface when we are charged with no less than a deliberation on "love," especially a mother's love. Our relationships are a muddle --- not only for the family in the film, but glimpses into the lives of the jurors show that they, too, have their vulnerabilities and challenges.

The integrity of the film is marked by keeping our toes to the fire. The scenes are almost all shot in interior rooms with windows that don't open, close-ups, bathrooms in which we are looking at the characters' reflections in the mirrors, and bedroom scenes --- all suggestive of the intimacy of human relationships and the pain, joy and suffering we can cause one another. The opening scene is a tender one of a mother (one of the jurors) and her daughter and is repeated again at the end. This is an ever so light brush stroke which demonstrates the potential and possibility for all of us to care for one another. There are a number of surprises along the way I won't give away. Go see it and be challenged. It's worth it!

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