In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Biopic of the iconic French singer Édith Piaf. Raised by her grandmother in a brothel, she was discovered while singing on a street corner at the age of 19. Despite her success, Piaf's life was filled with tragedy.
Filmmaker Davis Guggenheim follows Al Gore on the lecture circuit, as the former presidential candidate campaigns to raise public awareness of the dangers of global warming and calls for immediate action to curb its destructive effects on the environment.
Michael Clayton, a high-priced law firm's fixer, leaves a late night poker game, gets a call to drive to Westchester, and watches his car blow up as he's taking an impromptu dawn walk through a field. Flash back four days. He owes a loan shark to cover his brother's debts (Michael's own gambling habits have left him virtually broke). His law firm is negotiating a high-stakes merger, and his firm's six year defense of a conglomerate's pesticide use is at risk when one of the firm's top litigators goes off his meds and puts the case in jeopardy. While Michael is trying to fix things someone decides to kill him. Who? Meanwhile his son summarizes the plot of a dark fantasy novel.Written by
Director Tony Gilroy has written the scripts for all the Bourne series with Matt Damon. He never directed a Bourne edition with Damon in it. The first time he wrote AND directed a Bourne edition was The Bourne Legacy (2012). Tony's brother John Gilroy edited this movie, and some of the Bourne editions. Tony's son, Sam Gilroy, plays the clerk who hands the documents to George Clooney in the copy shop. See more »
When Michael Clayton asks Marty for a loan, a crew member is reflected of a wooden door over Michael's left shoulder, moving back and forth. The actors are standing completely still. See more »
Michael. Dear Michael. Of course it's you, who else could they send, who else could be trusted? I... I know it's a long way and you're ready to go to work... all I'm saying is wait, just wait, just-just-just... please hear me out because this is not an episode, relapse, fuck-up, it's... I'm begging you Michael. I'm begging you. Try and make believe this is not just madness because this is not just madness. Two weeks ago I came out of the building, okay, I'm running across Sixth ...
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Law and justice are common misconceptions. For truth is adjustable. It depends on money and influence. Michael Clayton is short on both. Deep in debt, isolated and with his authority as special counsel at a massive law firm becoming increasingly tenuous, Michael has no room error. Then the trouble really begins. Arthur, a leading attorney for the firm, suffers a breakdown. Michael is marked for execution. With billions of dollars and lives hanging in the balance, Michael realizes he must channel the skills he learned as a powerful trial attorney; coolness under pressure, finding and exploiting thresholds for pain, and adjusting the truth.
Attorneys, especially those at gigantic firms like Michael's, must jettison or channel their emotions to win. Even then, winning often does not mean success. Arthur is broken down from years of screaming, stalling, scheming and sacrificing his well-being – and that of those he loves - in exchange for billable hours. Eyes opening to the beauty of life and love, Arthur resists Michael's efforts to bring him back to the tasks of the firm. To help Arthur, the firm and all those who depend upon them, Michael first must help himself. The film reveals why, as a law school graduate, I am not practicing law.
As a thriller, Michael Clayton is first rate. Tensions are heightened as puzzle pieces of the story and the motivations of the fascinating characters are gradually revealed and the film jumps back in time. Those in the audience who pay attention to little details are rewarded. The reason for a malfunctioning vehicle GPS unit, for instance, is revealed near the end of the film and with much impact. George Clooney (Michael), Tom Wilkinson (Arthur) and Tilda Swinton are amazing. With added depth to the dialogue, soundtrack and cinematography, the film could be more compelling, yet viewers will delight, as I did, in the charms of this pulse quickening film. Ten years since the release of the film and the nation receives a daily schooling, from the highest levels of government, in the relevance of its theme of adjustable truth.
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