Trying to bootstrap his way out of Brooklyn's mean streets is Diamond, a rap musician. With his long-time pal Gage acting as his manager, he's trying to lay down a demo tape with cut-rate ... See full summary »
Tells the story of Fisher Willow, the disliked 1920s Memphis débutante daughter of a plantation owner with a distaste for narrow-minded people and a penchant for shocking and insulting ... See full summary »
Bryce Dallas Howard,
A massage therapist looking to overcome her addictions and reconnect with her son, whose father is an anthropologist in South America studying the Yanomani people, moves in with a wealthy ex-client in New Jersey.
Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London's criminal underworld seizes an opportunity to assume another man's identity -- transforming into an avenging angel in the process.
In New York, the drug-addicted Syd is consumed by drink and drugs - missing his girlfriend London, who broke up with him six months ago after a two-year relationship. When Syd finds that London's friends throw a going away party for her, he decides to go to the party without an invitation. But first he meets the banker and drug-dealer, Bateman, in a bar to buy coke, and he invites his new acquaintance to go to the party with him. While locked in the bathroom with Bateman snorting coke and drinking booze, Syd recalls moments of his relationship with London, inclusive that he had never said "I love you" to his girlfriend despite her countless requests. Bateman also "open his heart" under the influence of cocaine and tells his impotence problem to Syd; in the end he convinces Syd to talk to London.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Dane Cook, the actor that plays George, actually uses some of the lines from his stand up comedy show in the film. See more »
You're sorry? Oh, you're sorry, are you? You dare, you fucking dare ask me if there's a God? Well, man, I feel forsaken! I feel cheated, you cunt! I've lost in the big game, and nothing else fucking matters. It doesn't matter what you do. If you can't hack it in the sack, mate, if you can't hack it in the game of love and sex, then you are shit, my friend. Because you can't do what the other man can do to your fucking wife, mate!
I know what you mean.
No, motherfucker, you do not ...
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Directed by newcomer Hunter Richards, London is a complex tale of a man scorned by a traumatic breakup. Jessica Biel plays the title character, a savvy sophisticated woman who was the love of Syd's (Chris Evans) life. Since she left him, he has become a complete wreck. He now spends his days drinking and snorting cocaine. Six months later, he finds out through a random phone call that London is moving to Los Angeles. The worst part is that her friend Becca (Isla Fisher) is throwing a going away party - one that he isn't invited to. Determined to get London back, Syd decides to crash the party along with his unsuspecting dealer Bateman (Jason Statham), a banker who sells drugs on the side. When they get there, they eventually wind up in the bathroom. They snort huge amounts of coke and talk about life and love as Syd attempts to get up his nerve and talk to London. Along the way we are introduced to a number of eccentric characters, such as feisty bartender Mallory (Joy Bryant) and high-school student Maya (Kelli Garner). Each one plays a part in Syd's tripped-out journey of self discovery.
Although it features a cast full of popular young stars, London is not an easy sell in the slightest.. Audiences aren't likely to respond due to its strange and offbeat plot. It reminds me a lot of 1999's Go in this regard, although it is considerably less mainstream. It is truly a character study of many different individuals, all of them reflecting on life as the events unfold before their eyes. It moves at a slow pace but is never boring thanks to excellent performances and stylish direction.
Chris Evans is on screen for almost every frame and delivers another excellent performance. He shows his dramatic chops here and exhibits an ability for both comedy and drama. His character is very complex and has many different layers, all of which are revealed throughout the course of the film. Jason Statham, well-known for his action roles, plays against type here as the straight laced businessman Bateman. He shows his talent in both comedy and drama, and also has great chemistry with Evans. Jessica Biel is radiant and fascinating as London, a woman longing for complete commitment in an otherwise stable relationship. She has strong chemistry with real-life boyfriend Evans and her character is believable and likable. Most of her scenes are flashback sequences, so it is interesting to watch her character progress.
The supporting cast is great for a film of this size. Joy Bryant is solid as Mallory and gets the most to do of the side characters. Kelli Garner makes an impression but isn't given a whole lot to do, maybe appearing for fifteen minutes total. Isla Fisher, who was hilarious in last year's Wedding Crashers, gives another strong comedic performance here as the naive and unsuspecting party host. The rest of the actors are fairly insignificant overall, with most being reduced to mere walk-on roles (such as comedian Dane Cook).
Richards writes and directs this project and shows great promise in his first outing. The direction is stylish and he finds many interesting takes to use - making the film easy to watch and helping it from dragging on. The screenplay is also solid. It seems like something originally written for the stage, but it works on film thanks to the way each scene is handled. While there are comedic elements, there are also several sweet and poignant scenes. The best scene in the film is the final confrontation between London and Syd in an airport. The Crystal Method provides the score for the film, a techno-fringed mixture of various beats that fits well with the tone of the film.
Overall, I can see why London isn't appreciated by critics and won't be embraced by audiences. It's a strange film that requires patience from the viewer due to its slow pace. But thanks to excellent performances and stylish direction, it turns out to be a completely fascinating and involving tale.
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