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This Divided State (2005)

The film follows Micheal Moore's controversial decision to speak at the Utah Valley State College, where a heated debate between protestors and supporters argue Moore's First Amendment freedom of speech rights.


Steven Greenstreet

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Cast overview, first billed only:
Kay Anderson Kay Anderson ... Himself
Jim Bassi Jim Bassi ... Himself
Sean Vreeland Sean Vreeland ... Student Petitioner
Michael Nigro Michael Nigro ... Himself
Kenneth F. Brown ... Himself (as Ken Brown)
Joe Vogel Joe Vogel ... Himself
Alex Caldiero Alex Caldiero ... Animated UVSC Professor
Bob Rasmussen Bob Rasmussen ... Asst. VP Student Life
William Sederburg William Sederburg ... UVSC President
Pierre LaMarche Pierre LaMarche ... UVSC Philosophy Professor (as Pierre Lamarche)
Phil Gordon Phil Gordon ... UVSC Communication Chair
Michael Moore ... Himself
Dennis Potter Dennis Potter ... UVSC Philsophy Professor
Sean Hannity ... Himself
Jesse J. Steele Jesse J. Steele ... Sean Hannity's victim (as Jessie Steele)


The film carefully examines the divisive nature of politics in an overwhelmingly conservative mid-western community. In September 2004, the student body representatives of Utah Valley State College invited controversial filmmaker Michael Moore to speak on campus two weeks before the Presidential election. An unanticipated uproar from the students and community ensued. Moore protestors claimed university funds should not pay for Moore's visit, while those in support of Moore fought to defend free speech. A community once considered politically passive was stirred to action, and the conflict played out in the media and several public forums. Those opposed to Moore's visit, in an effort to have the invitation rescinded, resorted to death threats, petitions, law suits, and bribery. Moore supporters, living in the high concentrate of Mormon conservatism, struggled to be heard, to defend new ideas, and to keep plans for his visit on track. Steven Greenstreet, the film's director, tracks the... Written by Michelle Pate

Plot Summary | Add Synopsis


Death Threats, Bribery, and Family Values.




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Official Sites:

Official site





Release Date:

22 July 2005 (USA) See more »

Also Known As:

Jaettu maa See more »

Filming Locations:

Utah, USA


Box Office


$10,000 (estimated)

Opening Weekend USA:

$1,653, 24 July 2005

Gross USA:


Cumulative Worldwide Gross:

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Company Credits

Production Co:

Minority Films LLC See more »
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Technical Specs



Aspect Ratio:

1.33 : 1
See full technical specs »

Did You Know?


Filmmakers edited 76 hours of raw footage down to its final running time of 88 minutes. See more »


Kay Anderson: Free speech works because most of us know when to keep our mouths shut.
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User Reviews

What, exactly, does Moore "lie" about?
25 June 2006 | by thommickelSee all my reviews

I have to admit, I'm baffled by the constant attacks on Moore, (that his films are supposedly sloppy, poorly researched, one-sided and full of "lies.") I'm not saying that every single detail in "F911" is true, but I think Moore's films are a lot more accurate and balanced than he gets credit for. I think Moore's films, by and large are every bit as accurate as most "serious" documentary films (the only difference being that Moore's films generate blockbuster box office). Most of the attacks that I've seen on Moore's work are often highly selective, misleading and full of lies themselves. And these days, what exactly is the "truth"? I mean, Bush tells more lies in a typical 15-minute speech than you'll get from watching any Moore film. (But you'd never convince a brainwashed fanatical Bush supporter that their beloved hero lies about anything). And Fox "News" spews out lies and right-wing propaganda 24 hours a day. Even the media that the intellectual Left respects (The New York Times) is full of lies these days. I mean, reporter Judith ("Bush's Case for War is Solid") Miller told many lies in a highly deceptive manner. Bottom line: if Moore's work was so full of "lies," then he would not have been the target of the extraordinary and vicious attacks and deaths threats that he's received from the Right in this country. Instead of going through Moore's work with a fine tooth comb and trying to pick out tiny flaws, I suggest you examine the central premise that Moore raises in his work. Most of the investigative legwork in "F911" for example was done by Craig Unger, who's "House of Bush, House of Saud" was a devastating indictment of the Bush Crime Family. Unger's work was, by the way, completely ignored by the U.S. mainstream media----so we ought to be grateful to Moore for giving Unger a platform that he otherwise wouldn't have had. And as far as the "lies" in Moore's films, instead of slandering the man's films with sweeping generalizations, how about someone here actually specifically detailing a few of these "lies" for a change?

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