Steve Austin stars as U.S. Border Patrol agent Jim Rhodes, a tough divorce mourning the loss of his murdered partner while struggling to raise his rebellious daughter in the mountains of ... See full summary »
Rage and intolerance collide with compassion Academy-Award nominated David Strathairn portrays Danny Dunkleman, a Jewish liberal humanist, and the court-appointed lawyer representing Mike ... See full summary »
Andrew W. Walker,
As homicide detective Thomas Craven investigates the murder of his activist daughter, he uncovers a corporate cover-up and government conspiracy that attracts an agent tasked with cleaning up the evidence.
In a Los Angeles dominated by violent gangs and a corrupt LAPD Precinct, the dirty Officer Armando Sancho is haunted by his guilty since an innocent old man was accidentally killed in an operation with his also dirty partner Salim Adel. The Internal Affairs is pressing Sancho, who feels split between the loyalty to his mates and his conscience, and he has to make a statement at 6:00 PM. When his superiors Captain Spain and his Lieutenant assign the two cops for an operation dealing drugs apprehended by the police and stored as evidence with a powerful drug dealer, Sancho feels that something is wrong and they have been framed.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Director Chris Fisher wanted to convey a sense of Los Angeles being a dry, desolate place where people aren't supposed to live, which was a challenge since shooting took place during early 2005, one of the rainiest seasons in Los Angeles history. See more »
A man said, "Someday a real rain is gonna come and wash all the scum off the streets." But it don't rain in the desert.
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Written by Brown/ Velde
Performed by Bluebird
Courtesy of Bluebird See more »
To live and lie in L.A.
The Ramparts Scandal of the 1990s entailed L.A. gang members infiltrating the police department, violently shaking down fellow gang-bangers, then, in perjured testimony after their stupidity busted wide open the whole mess, ruined the careers of honest cops in L.A.P.D.'s gang units. As final salt in the wound, taxpayers were soaked for millions in court settlements to the put-upon homies that got rough treatment from these hoods in blue.
The real villains of the piece were not-well-thought-through outreach projects to recruit more inner-city youth into the city's police force. This was yet another brainstorm of liberal social engineers far removed from the detritus wrought by their brilliance.
This movie, inspired by Ramparts, takes those facts and corkscrews them 180 degrees. The gangstas are the cops. All cops. The real villain is the SYSTEM, maaaaaaan.
This tired, hackneyed tripe represents the warped mindset of Hollywood's establishment today. It's a weak-tea Frankfurt School indictment of class, race, capital, injustice... (yaaaawn). I think one of the great injustices in this country today that so much of our media, so much of our political arena, is fabricated by these tapas-bar revolutionaries from the mean streets of Malibu, Brentwood and Beverly Hills. Decades ago, "Dirty" would be hailed as wonderfully subversive by reviewers feasting on the bounty of the very system they claim to despise. It's as subversive as "Dancing With the Stars". This is the only political viewpoint we get - in any movie or documentary produced in this country.
In that respect, this movie is similar to "Crash", that other self-celebration of hypocritical Lefty gibberish. In fact, the scene in which Gooding Jr. hassles a middle-class white couple was almost straight-lifted a few years later for "Crash", with the racial components reversed.
One reviewer here proposed "it's easy to behave morally in a sheltered, safe, middle-class environment." Well, it's easier not to become murderous animals in that kind of environment - that's for sure. And, evidently, it's a lot easier to develop a morality far removed from the real world by typing out scripts in tony neighborhoods with gates, guards, income levels in the stratosphere and worldviews in Never-Never Land.
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