In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
A seemingly indestructible robot is sent from 2029 to 1984 to assassinate a young waitress, whose unborn son will lead humanity in a war against sentient machines, while a human soldier from the same war is sent to protect her at all costs.
Learning about the death of Doc Brown in 1885, Marty travels back in time to save him. But when the fuel tank on the time machine is punctured, the two must figure out a way to escape the Old West before Emmet is murdered.
Michael J. Fox,
In 1957, archaeologist and adventurer Dr. Henry "Indiana" Jones, Jr. is called back into action and becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
In 2003, in the Longview State Correctional Facility, the criminal Marcus Wright is on death row, and is convinced by the cancerous Dr. Serena Kogan to donate his body to her research and he accepts. In 2018, after an unsuccessful attack to a Skynet facility, only John Connor survives, but he discovers that Skynet is developing the powerful new model T-800. Out of the blue, Marcus appears naked and with amnesia in the location. Marcus befriends the teenager Kyle Reese and the girl Star who help him to survive the lethal machines and they travel together in a Jeep. Meanwhile the resistance discovers a signal that might turn-off the machines and John offers to test it. When Kyle is captured by a machine and brought to the Skynet headquarters, Marcus decides to help the youngster and heads to Skynet; on the way, he saves Blair Williams who suggests to him that he should meet John Connor first. But Marcus steps on a mine and is submitted to surgery, when a secret about his origins is ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
(at around 43 mins) During the moto-terminator chase, the ball on the tow truck switches from being locked to the side of the boom arm to swinging freely, most notable right before Marcus tells Kyle to drop the ball. See more »
Released on Blu-Ray as an R-rated director's cut with about three minutes of extra footage:
When John Connor and company infiltrate the underground base, a sentry robot pops up and is quickly dispatched. This scene was present in the teaser trailer.
Extra dialogue between Connor and Ashdown on the submarine. Ashdown points a gun at Connor's head and says he doesn't believe in prophecy.
Blair bathes in the rain for a moment then sees Marcus looking at her. She covers herself and Marcus turns away.
The scene with the two marauders is more violent. Marcus is actually showing stabbing one of them in the shoulder with a screwdriver, the fistfight with the second guy is longer, and a bloody impact is seen when Blair shoots one of the marauders in the leg.
Longer dialogue from Blair during the campfire scene with Marcus.
The sequence of the man being shot trying to scale the fence at the Skynet processing center is slightly longer.
John Connor's speech to the remaining resistance forces is extended.
The fight between the T-800 and Marcus is a few seconds longer.
Marcus trying to revive John Connor is slightly longer.
Some nice action but where's the tone? Where's the mood? Where's the atmosphere?
The atmosphere that James Cameron and Stan Winston had created for the first 2 films in the franchise is what really hit me and still does to this day. I think that was the key component along with consistency and approach that gave the Terminator film it's unique style and attractiveness. It's metallic-blue overlay, infused with creepy whines of music and heart pounding edge of your seat suspense was what really created this secondary reality if not for only an hour long. It made us have a connection to these characters. A sense of believability in what was really going on. But it was those elements that were able to harness the inner workings of this dark dreamland. In essence the first two Terminators were projected nightmares in a sense, as if you were running and running, but no how fast you ran, the shadowy figure on your toes just keeps closing in. THAT is what made those films so captivating.
Now these elements in one way or another were tried in this newest installment of the franchise. I see it as I've heard before as a "hit and miss" movie in which it got some key features to play out in the film, but lacked that essential tone T1 and T2 romantically portrayed.
I have talked in lengths with individuals on why this film didn't quite hit all of it's projected(we hope) targets and I haven't really heard a clear and analyzed answer. Some say it was the amount of sub-plots that were involved, the lack of plot, the empty character development, the slight cheesy factor, and or the overall weak story and unnecessary additions to the Terminator franchise. Although these all valid arguments to say the least and I would agree on them full heartily, I don't see it as the culprit of the problem here of why this film did not life up to it's expectations.
I think, like I said above in the first paragraph, that it was the direction the film was taken in perspective to it's overall tone and mood. God bless his soul, Stan Winston. For if he were alive I think we would have seen a more polished version of what we have now witnessed. I also think it was a bad part on McG for giving the O.K on the revised Terminator theme by veteran composer Danny Elfman. I don't know why in the hell the screened audiences gave the thumbs up on that one. Another issue of course is that most of the scenes were in broad day-light. I understand that McG wanted to get a different take on the war, but I don't think this was pulled off in any respects to what James Cameron had in mind for the war.(Shouldn't the sky be filled with pollution and dark particle manner from the nuclear explosions creating an ever-dark wasteland?) This was CRUCIAL and they blew it. I don't see why they didn't go with more night scenes. It is one of the strongest representative thematic elements portrayed in the Terminator 1 & 2.(I am not even going to mention T3 because of the ridiculous amount of mistakes made)
The Rating: A main point that needs to be addressed for sure is the film's PG-13 rating. Of course they did this to appeal to a larger demographic of movie-goers, but they did it in expense of the true grit and bones that T1 and T2 had. I don't see why a Terminator film should be even considered for a PG-13 rating. Anything lower than an "R" rating does not do the title justice. The series is called Terminator for a reason...They are killing machines. THAT'S IT. I think that this is one of the biggest insults to the die-hard community of Terminator fans everywhere.
There is no room for Mediocrity in trying to follow up after T2: Judgment Day. Lets hope and pray that us as an online community hold the next bunch of crazies accountable for their creative actions for the next installment of the franchise.
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