An aimless young man who is scalping tickets, gambling, and drinking, agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of getting a loan from a friend.
LAPD detective Tom Ludlow is a ruthlessly efficient, unorthodox undercover cop. Captain Jack Wander always covers for Ludlow, as do even his somewhat jealous colleagues. After technically excessive violence against a vicious Korean gang during the liberation of kidnapped child sex slaves, Ludlow becomes the target of hotshot Internal Affairs captain James Biggs, who feels passed over after Wander's promotion to chief. Ludlow's ex-patrol partner, Terrence Washington, sides with IA but is killed during a shop robbery in Ludlow's presence. Ludlow works his way through the twisted rungs of the police and the deadly streets of Los Angeles for answers that lead to more and more questions.Written by
KGF Vissers (TC edit)
For the phone book scene, a foam rubber phone book was made so that Keanu Reeves could smack Grill played by The Game with. The Game insisted that Keanu use a real phone book and after one take in which he smacked him with which actually hurt him, they switched back to the foam rubber one quickly after that. See more »
Must be CGI, but the sun rises, in the beginning, and sets, near the conclusion, behind the same hills. See more »
"You bored or something?" No, that would be the *exact* opposite of what I was during this
When I first took this in at the theater, I had high expectations, and it still blew me away. I remain spell-bound by this. It is an extensively well-thought-out and entertaining film. The plot is compelling, engaging and keeps developing, and while I had a hunch about one twist, I did not see them all coming. This has spot-on pacing, not a boring second to be found, or an overwhelming one for that matter. The cinematography and editing are excellent throughout. Every moment of the action is awesome, intense and exciting without being unrealistic(within the bounds of Hollywood, that is... which, if going by this, is actually entirely acceptable), and there is a solid and fitting amount of it. The music is appropriate for where this is set, not to mention really cool, consisting mainly of hardcore rap. As you can probably figure out, the tone of this is brutal, dark and gritty, through and through, and should not be viewed by anyone who may not be able to take it. The writing is astounding; the script, the dialog, the overall story, all of it. There is a lot of slang(the subtitles certainly helped me out), and some instantly memorable and utterly quotable lines. Almost all of the humor, which is also very rough(and the amount of which is considerable), lies in what is said, how it's put and/or its delivery; think verbal, British comedy(with four-letter words). The characters are distinguished, credible, and psychologically accurate, with no real exceptions, and while there is a heavy dose of macho-ism and bloated egos(some bits are soaked in, and dripping, testosterone), it never gets ludicrous, and there are several characters who help keep it grounded, in their more agreeable personalities. I think it is also notable that this, beyond a sequence lasting no longer than a few seconds, this does not at any point stoop to the lowest common denominator and try to appease and appeal to the young male demographic by simple parading something to gawk at. This isn't denying the existence of such, it just has nothing gratuitous in the way of it other than aforementioned brief part. The acting is magnificent, for basically every part(I owe Evans a heartfelt apology, the guy can actually do great work, and be pretty bad-ass), Reeves is believable, and Whitaker performs well in everything required of him in this. Both Laurie and Mohr, honestly, if you didn't know they usually go for making people laugh, you wouldn't know from this, they're straight-faced and professional all the way(and I'm not saying they're not funny in this). There is plenty of disturbing content and a ton of strong violence and language in this. The DVD holds an interesting director's commentary, a handful of informative featurettes, deleted scene with the option of hearing Ayer's thoughts on them(by the way, David, if I may call you that, I promise you, you put another movie up on the silver screen, and I *will* almost without a doubt go to the cinema to catch it when it comes out), alternate takes and vignettes(really short documentaries). All of them are well worth the time. I recommend this to fans of the people involved in making it, as well as of the genres and those who want to watch pictures set in this environment. 8/10
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