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Flags of our Fathers (2006)

Flags of Our Fathers (original title)
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2:26 | Trailer
The life stories of the six men who raised the flag at the Battle of Iwo Jima, a turning point in World War II.

Director:

Clint Eastwood

Writers:

William Broyles Jr. (screenplay), Paul Haggis (screenplay) | 2 more credits »
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Popularity
4,765 ( 888)
Nominated for 2 Oscars. Another 15 wins & 25 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ryan Phillippe ... John "Doc" Bradley
Jesse Bradford ... Rene Gagnon
Adam Beach ... Ira Hayes
John Benjamin Hickey ... Keyes Beech
John Slattery ... Bud Gerber
Barry Pepper ... Mike Strank
Jamie Bell ... Ralph "Iggy" Ignatowski
Paul Walker ... Hank Hansen
Robert Patrick ... Colonel Chandler Johnson
Neal McDonough ... Captain Severance
Melanie Lynskey ... Pauline Harnois
Tom McCarthy ... James Bradley
Chris Bauer ... Commandant Vandegrift
Judith Ivey ... Belle Block
Myra Turley ... Madeline Evelley
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Storyline

In 1945, the Marines attack twelve thousand Japaneses protecting the twenty square kilometers of the sacred Iwo Jima island in a very violent battle. When they reach the Mount Suribachi and five Marines and one Navy Corpsman raise their flag on the top, the picture becomes a symbol in a post Great Depression America. The government brings the three survivors to America to raise funds for war, bringing hope to desolate people, and making the three men heroes of the war. However, the traumatized trio has difficulty dealing with the image built by their superiors, sharing the heroism with their mates. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

The real heroes are the ones left on the island. See more »


Motion Picture Rating (MPAA)

Rated R for sequences of graphic war violence and carnage, and for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

20 October 2006 (USA) See more »

Also Known As:

Flags of our Fathers See more »

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Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend USA:

$10,245,190, 22 October 2006

Gross USA:

$33,602,376

Cumulative Worldwide Gross:

$65,900,249
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Actual Marines from the 5th Marines were used as extras during filming aboard ship as well as the the training work up. The extras who were actual Marines can be best seen climbing up and down the cargo nets. See more »

Goofs

During the initial bombardment of Iwo Jima by the U.S. Naval Fleet, the distinctive shape of several Iowa Class battleships is shown (their bows had a unique curvature when seen in profile). One of these ships is shown taking a direct hit from Japanese batteries. Three Iowa-Class battleships were present at Iwo Jima and did perform shore bombardment duties, but none was hit as depicted in the film. See more »

Quotes

[first lines]
Soldiers: Corpsman! Corpsman! Corpsman! Corpsman! For God sakes, corpsman! Corpsman! Corpsman!
See more »

Crazy Credits

There is an additional short sequence after the credits have ended. See more »

Connections

References Salty O'Rourke (1945) See more »

Soundtracks

Knock Knock
Written and Performed by Kyle Eastwood, Michael Stevens, Andrew McCormack and Graeme Flowers
See more »

Frequently Asked Questions

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User Reviews

The Battle Within
17 February 2007 | by tedgSee all my reviews

A film about war, war between cultures over clashing hegemonic drives. Made during a period of the same, so it puts the American viewer in a sort of bind. We are in between wanting the truth, as this purports to give, and at the same time be warmed by the goodnesses we share, which this gives in great dollops and if not lies, at least fabricated.

It is true that nations define themselves in large part through film and especially war films. It is true that solipsism reigns when matters of national honor are raised. This film pulls the legs from under such cheap theatrics while doing the very same thing. Its a characteristic of Eastwood that drives me crazy, how quick he is to polish ideals so they glisten next to the other guy's clichés, in this case Spielberg's "Private Ryan," which in retrospect was pretty bad storytelling.

So. Let's spank Clint for hypocrisy, for metaphorically taking the first flag. But I think much of the blame for that goes to Paul Haggis, a scourge now in full infection in Hollywood. He won't hesitate to use any device in the spine of his work, no matter how trite.

And let's wonder every time we see a war, even one like this.

But let's also give the man his due for storytelling. This is fantastic visual storytelling. Multiple narrators, multiple framing devices. Nonlinear presentation with time reversals motivated by flashbacks, memories, tales told. The business about walking 1300 miles to tell the truth, and the business about old men finally telling the truth to the son. Its what I call a folding device to underscore that we are seeing the truth, the story within the story.

The pacing is perfect, even a bit too manufactured for my taste. The most effective war film in terms of confusion and lack of theater is "Thin Red Line," I believe. The scale of the thing, both in the battles and bond events was impressive. The phrasing is tasteful, but when an episode finished, I couldn't help but be aware that I was being sold an image I was expected to wear.

Its enough to drive me to drink.

Ted's Evaluation -- 2 of 3: Has some interesting elements.


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