A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
For his final assignment, a top temporal agent must pursue the one criminal that has eluded him throughout time. The chase turns into a unique, surprising and mind-bending exploration of love, fate, identity and time travel taboos.
Three stories - one each from the past, present, and future - about men in pursuit of eternity with their love. A conquistador in Mayan country searches for the tree of life to free his captive queen; a medical researcher, working with various trees, looks for a cure that will save his dying wife; a space traveler, traveling with an aged tree encapsulated within a bubble, moves toward a dying star that's wrapped in a nebula; he seeks eternity with his love. The stories intersect and parallel; the quests fail and succeed.Written by
In early 2002, Darren Aronofsky cast Brad Pitt and Cate Blanchett in the central leads of Tom and Izzi with a budget of 75 million dollars. During pre-production, Pitt and Aronofsky were having major creative differences, so Pitt left to film Troy (2004) instead, and the film was shut down, and the sets and props built in Australia were auctioned off. In early 2004, with a smaller budget of 35 million dollars, Aronofsky cast Hugh Jackman as Tom and Rachel Weisz replaced Blanchett as Izzi. Warner Bros., who had invested 20 million dollars in the canceled version, agreed to finance the new, cheaper version. See more »
The second brightest star of Orion constellation, Betelgeuse, is missing in the sky views throughout the film. See more »
The entire credits run against a star field background, then at the very, very end there is one final sigh as they fade to black. See more »
The film was originally submitted to the BBFC on 30th June 2006, where it was passed with a 15 certificate. However, on 30th November 2006 the film was submitted again as a "re-edited" international version, with "changes made to reels 2, 3 and 5". This new version runs 16 seconds longer and was awarded a lower 12A certificate. The BBFC's website does not list the specific changes made. See more »
Fantastic in every sense. This film is indeed poetry, and a beautiful testament to love and the cycle of life, and the impermanence of death. Wow. The script is tight, and the non-linear presentation works very well. The scene compositions were exquisite. The score enhanced without being overbearing, which is so often the case in contemporary film.
The acting is absolutely superb, but then it's got Hugh Jackman and Rachel Weisz. I can't imagine Brad Pitt doing any sort of justice to this film. Darren Aronofsky lucked out in the long run by getting someone who has the range to portray the vast emotions required for Tomas/Tommy/Tom. Weisz has the depth for regal intrigue and spirited grace. Their chemistry makes their stories even more entrancing.
This film does require a thinking brain to be appreciated.
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