Paul Miller has struggled as an actor in Hollywood for years, and now he's had enough. In two days, he's going to kill himself. But in true Hollywood style, he's hired a film crew to chronicle his last moments.
Each episode contains 30 minutes of extremely bizarre and funny sketch comedy performed by THE STATE, an 11 member sketch comedy troupe who wrote and starred in various sketches seen throughout the program.
Michael Ian Black,
Robert Ben Garant
Alex is the definition of loser. He has no, nor has he ever had, friends. His life has no direction and he has a stupid haircut. While attending the Venice Beach Art School, he meets Lizzy,... See full summary »
In the Dartmouth pep rally flashback, Tanner is holding a girl's lacrosse stick. See more »
I mean Elliot, you got my knickers all up in a pinch here!
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There are two additional scenes after the movie ends. After the first half of credits, a new scene appears showing the ending from the perspective of Dan (Paul Rudd), who finds himself a Baxter as well. After all of the credits is an additional scene with Elliot's friends from the bar after he left, telling another story. See more »
A quirky premise and some delightful performances made this film refreshingly true to its stated goal. Showalter is charmingly awkward and perplexed throughout, as a "baxter," one of the guys who are always left alone at the altar when their brides' true loves return to abduct them. Michelle Williams is exceptional in her role, and Jon DeVries and Peter Dinklage both contribute some great comedic moments.
A few sour notes rang out, including Elizabeth Banks' performance as Caroline Swann, which seemed confused and inconsistent. But The Baxter's power is in its non-standard take on old romance stereotypes. The impassioned speeches of each reformed lover to his girl are wonderfully recast from the perspective of the safe, nice guy who is our protagonist here. True love for him is not in being a daredevil or a risk-taker, but simply being himself and taking the opportunity that presents itself. As a new kind of romantic comedy that doesn't necessarily play by the rules, The Baxter succeeds in many ways.
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