Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the next day.
After moving his family back to his hometown to be with his friends and their kids, Lenny finds out that between old bullies, new bullies, schizo bus drivers, drunk cops on skis, and four hundred costumed party crashers sometimes crazy follows you.
Michael Newman (Sandler) is a hard working family man, who must please his boss (Hasselhoff), in order to get promoted. Problem is he gets less time with his family, and wishes for a remote in which he can control his life. This soon comes true for Newman, when he meets Morty (Walken), a crazy sales clerk, who has the ultimate remote. A remote in which he can do anything, including muting, skipping and dubbing his life. He finds this to be the opportunity in which he can not only skip every argument, but also skip to his promotion. He sees this as a good idea, until the remote goes horribly wrong.Written by
In the DVD audio commentary, director Frank Coraci states that the scene set in the past where Michael Newman (Adam Sandler) and Donna Newman (Kate Beckinsale) kiss for the first time was deliberately overlit to look like a late 1980s or early 1990s film. See more »
At the beginning of the movie when Michael is sleeping on the couch, the dog is sleeping at his feet. When the kids come downstairs and the camera angle switches to their perspective, the dog is gone. See more »
[trying to convince him to let the project be procrastinated so he can go camping]
Three days? Couldn't I have a little more time for this project?
Michael, our clients are Japanese. They can't wait for their fish to cook.
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The credits play over the "main menu" sequence from when Michael is selecting moments from his life. See more »
Working for the Weekend
Written by Paul Dean, Matt Frenette (as Matthew Frenette) and Mike Reno (as Michael Reno)
Performed by Loverboy
Courtesy of Epic Records/Sony BMG Music Entertainment (Canada)
By Arrangement with Sony BMG Music Entertainment See more »
This review is for those who generally DON'T like Adam Sandler movies
I have never been a fan of Adam Sandler, though I have seen a few of his movies. I am in my 40s and I notice that the appeal for him seems to be with teenagers and young adults--and I assume most of the reviews here are by younger reviewers. So here is a review that might be a little different--a 40-something who is a bit of a hard sell.
Overall, I was surprised that I did like this film as much as I did. It was far deeper and less dopey than films like BILLY MADISON and HAPPY GILMORE and seemed like an attempt by the rapidly aging Sandler to make a more adult film. While there are still lots of crude jokes that fell flat for me (such as the dog and the stuffed animal), there was still plenty to like and a depth that surprised me. Also, while there were some comedic moments, after a while it became obvious that this was really a comedy-drama--with the second half of the film being very serious and even touching.
So here we seem to have an Adam Sandler movie that might just appeal to kids AND parents--one that everyone can get something out of and enjoy. I am happy I saw this one and wouldn't mind seeing more films like it.
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