The past, present and future of the CubeSat microsatellite technology is explored, with a particular emphasis upon the efforts of venturing beyond our own world by the Center for Advanced Energy Studies by Idaho National Laboratory.
Eight candidates for a highly desirable corporate job are locked together in an exam room and given a final test with just one seemingly simple question. However, it doesn't take long for confusion to ensue and tensions to unravel.
4 mathematicians are invited to solve an enigma. Once there, they're locked in a mechanically shrinking room and given 1 minute to solve each puzzle via cellphone while also figuring out why they're there.
An unsuspecting, disenchanted man finds himself working as a spy in the dangerous, high-stakes world of corporate espionage. Quickly getting way over-his-head, he teams up with a mysterious femme fatale.
Set before the events of the previous films. As group of strangers awaken with no memory to find they have been involuntarily placed in a maze containing deadly traps, a young man whose job is to watch over the Cube endeavors to rescue a woman trapped within.
In the monitor room at the beginning of the film, there is a blurred shot of a controller for an Atari 2600 as the CD of Ryjkin's demise is being collected. See more »
The character makes a chess move P-K2 (Pawn to King 2).
All pawns start on the second square, and they can't move sideways or backwards, so that is only possible if the Pawn started on K1. Which is not possible. See more »
A decent, sincere effort to add to the original "Cube" mythology, but in the end underwhelming
Yet another group of unwilling participants wake up to find themselves in a giant maze full of nasty booby traps that kill them off in wonderfully gruesome, painful ways. This time, however, a man working on the outside, Wynn (Zachary Bennett), decides he no longer wants any part in this "project", so he throws himself into the cube to help the few people still alive get out...well, alive. "Cube" is one of my favorite movies of all time. It's got everything--an imaginative plot, suspense, great acting (Nicole DeBoer being the only exception), superb music, well-developed characters, and a thought-provoking ending that doesn't give us any explanation for WHY the cube exists. I actually enjoyed Hypercube, I'm a bit embarrassed to admit, in fact I liked it more than most others did, despite the horrible ending. Cube: Zero, the latest entry in the series, is goodthough unfortunately far from being as good as it could have been.
Cube: Zero writer/director, Ernie Barbarashwho penned and produced Hypercubemakes his directional debut with "Zero", and he does a very nice job behind the camera. The film looks good and he introduces an entirely new, different mood then either of the two previous cube films, which in my opinion works well. His writing has a flair of creativity to it as wellthe "Food pills" and file cabinets full of previous Cube victims add a nice degree of realism to the film.
The acting is hit or miss. Zachary Bennett, Michael Riley, David Huband, Richard McMillan, and Mike 'Nug' Nahrgang all gave good to excellent performances. The rest of the principal cast members weren't so good.
Like the previous two films, Cube: Zero also showcases lots of visual and make-up effects. The CG ranges from fairly believable to so-so (The external shots of the cube's shell being noticeably unconvincing), though I've seen much worse CG from bigger budget fairs (See anything made Stephen Sommers for proof of that!).
The gore effects are very nasty. The opening death scene in which a man's skin melts right off his skeleton, complete with delightfully unnecessary close-ups of flesh falling to globs to the floor, is worth the price of admission for gore fans alone. There are lots of other gory treats as well, including a sonic weapon causing a man's body to literally burst, a guy cut to piece by razor wire, and more.
Norman Orenstein's score is terribly out of place accordion music. Why? Why accordion music? It sounds more fit for a comedy. His music for Hypercube sounded cool, but needless to say the score in both sequels are only a pale shadows compared to Mark Korven's fantastic music for the original Cube.
"Cube: Zero" has many good qualities but also lots of annoyances that keep me from giving it a higher rating than a 6. Still recommended though.
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