Karen O'Connor, a young journalist known for her celebrity profiles, is consumed with discovering the truth behind a long-buried incident that affected the lives and careers of showbiz team Vince Collins and Lanny Morris.
A reflection about what makes everyone's life unique, through the story of Noah's family. Noah is an adjuster, having sex with his customers. His wife Hera watches pornographic movies for ... See full summary »
A photographer and his wife take photographs of Armenian churches for use in a calendar. Their driver, a local resident, expounds on the history of the churches while the wife translates. ... See full summary »
Awaking from a coma to discover his wife has been killed in a car accident, Ben's world may as well have come to an end. A few weeks later, Ben's out of hospital and, attempting to start a ... See full summary »
A man moves his two daughters to Italy after their mother dies in a car accident, in order to revitalize their lives. Genova changes all three of them as the youngest daughter starts to see the ghost of her mother, while the older one discovers her sexuality.
With the aid of a fellow Auschwitz survivor and a hand-written letter, an elderly man with dementia goes in search of the person he believes to be responsible for the death of his family in the death camp to kill him himself.
Karen O'Connor tells the story about two distinct but related periods in her life. In 1972, she is an up-and-coming Los Angeles based journalist who has been given the lucrative assignment of convincing once successful comic Vince Collins, who is at the tail end of his career, to allow her to ghost write his memoirs. Most specifically, she has the task from her publishers of discovering the reason behind two issues in Vince's life from 1957: why he and his former on-stage partner Lanny Morris, who is still active and well known within the entertainment business, broke up their professional partnership shortly after they hosted a successful thirty-nine hour telethon for polio research in Miami, there not having been any indication of problems between the two before that; and how did the dead body of Maureen O'Flaherty end up in the water filled bathtub in Vince and Lanny's New Jersey hotel suite, the opening of that New Jersey hotel owned by mobster Sally Sanmarco which was Lanny and ...Written by
Director Atom Egoyan made cuts to the film, including an orgy scene, in a failed attempt to challenge the NC-17 rating given by the MPAA. ThinkFilm has since announced that the version shown in U.S. theaters, is the same as the one shown at the Cannes Film Festival. See more »
When Maureen is in the bathtub talking to her girlfriend on the telephone, modern-day blow-molded plastic shampoo bottles can be seen on the ledge of the tub behind her. See more »
[as she comes to, he is drinking tea]
That was not a Quaalude you gave me. I've had Quaaludes.
Hmmm. I said it was like a Quaalude.
And you didn't take one yourself, you palmed the pill.
Somebody had to drive.
[puts down his tea-cup]
Don't worry, you won't get pregnant. Not from Alice, and certainly not from me. I didn't take off my pants, as you may or may not remember.
There are laws against drugging people.
Oh, please! You took it voluntarily, nobody slipped it into your ...
[...] See more »
In the United States, the MPAA cut the film for an R rating. However, the original uncut version was later released unrated on DVD. Some international versions, including the UK version, are the original uncut version. See more »
Interesting- Should never have been given more then R rating
I saw this at a screening last week and just have to set the record straight. This is not a sex flick. It is a story set in the 1950's and 1970's and the relationships involve some adult behavior. (Remember the 70's when there were a lot of drugs and a lot of sex? Sure not everyone lived the party life but some did and that is all Where the Truth Lies shows). Intimacy is part of the story, character development and not put in just to show some skin. Plus Atom directed the film so well that you are never drawn to the nudity, you are drawn to the characters. Bravo to Firth and Bacon for genuine performances, and not shying away from a good story. Lesser actors could not have pulled it off. It is an honest, beautifully shot film. Sometimes it felt long but maybe I was just tired. Nothing in this film is offensive unless you are a very immature adult. Worth the $ to see this movie.
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