John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
Set in the 1970s in a metropolis called "Bay City," this is the tale of two police detective partners, Ken "Hutch" Hutchinson, and Dave Starsky, who always seem to get the toughest cases from their boss, Captain Dobey, rely on omniscient street informer Huggy Bear and race to the scene of the crimes in their souped-up 1974 Ford Torino hot rod, telling the story of their first big case (as a prequel to the TV show), which involved a former college campus drug dealer who went on to become a white collar criminal.Written by
In the hospital scene, between cuts, Hutch's arms switch from being folded and then down, with his hands in his pockets. See more »
Don't stress. Just relax.
I don't understand man, I don't understand. You can lose keys, ya know, you can lose your wallet. How... how do you lose a plane?
Reese, come on. What do you want me to do? You got three out of four planes in. That's still a lot of coke.
Now, see that? That's the kind of winning attitude that's gonna take this enterprise straight to the top.
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The tale of two oddball police detectives who have a habit of getting stuck in awkward situations even with the best of intentions. Starsky (Ben Stiller) is very much by-the-book embarrassingly so whereas Hutch has a laid back rather hippy' approach to the rules. One of the films great strengths is that it plays on satire and keeps the action secondary. The two main characters are ably aided and abetted by Huggy Bear (Snoop Dogg) and, although there is a big-drugs-bust plotline, the movie's main intention seems to be to make a homage to the style and clichés of certain 70s filmmaking (and the original TV show); car chases, for instance, focus on tongue-in-cheek action rather than adrenalin, and the cops' love of empty-headed curvaceous women combined with a homophobia towards each other and gay men is portrayed laughingly as an echo of the attitudes of the times rather than appealing to those sentiments. Not the sort of comedy I expected to enjoy so much personally, but I quickly warmed to this movie and found the feelgood factor continued unabated till the end.
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