Identical twins Annie and Hallie, separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
Mia Thermopolis has just found out that she is the heir apparent to the throne of Genovia. With her friends Lilly and Michael Moscovitz in tow, she tries to navigate through the rest of her sixteenth year.
Having recovered from wounds received in a failed rescue operation, Navy SEAL Shane Wolfe is handed a new assignment: Protect the five Plummer kids from enemies of their recently deceased father -- a government scientist whose top-secret experiment remains in the kids' house.
The wide generation gap between Tess Coleman and her teenage daughter Anna is more than evident. They simply cannot understand each other's preferences. On a Thursday night they have a big argument in a Chinese restaurant. Both receive a fortune cookie each from the restaurant owner's mother which causes them to switch bodies next day. As they adjust with their new personalities, they begin to understand each other more and eventually it's the mutual self-respect that sorts the things out.Written by
Anna gets a cartilage piercing while in Tess' body. Later that day Tess, while in Anna's body, instructs her to remove it. The piercing hole would have closed. However at the wedding reception the piercing is back. It would be assumed that she would not get it pierced being back in her own body. See more »
At the beginning of the end credits, Pink Slip (the band in the movie) performs "Ultimate" at the wedding reception. See more »
Scenes cut from a 2008 ABC airing include Jake singing "Hit Me Baby" to Tess's bedroom window and Pei-Pei's mother attempting to switch Harry and his grandfather. The ABC version instead ends with Tess and Anna dancing with their respective lovers before cutting to Anna's end credits performance. See more »
At first I couldn't understand why this was the version to see. It didn't seem any better than the Shelley Long/Gaby Hoffmann version I enjoyed years ago. Lindsay Lohan was a holy terror and her mom was merely uptight but nothing special. But of course all that changed when the magic spell took effect and Anna woke up horrified.
There are many deserving performances, mostly dramatic, that get Oscar nominations each year. It's easier for a movie like this to get recognition when comedy has its own categories. But Jamie Lee Curtis was amazing. Such a bizarre sight, this middle-aged woman acting like a teen! Maybe Oscar would be asking too much because of the competition, but Curtis certainly deserved a Golden Globe nomination. And Lindsay Lohan did a capable job of the mom in a teen's body, trying so hard to fit in at school.
Harold Gould's performance also should be noted. He made quite a likable buffoonish grandfather. I liked Rosalind Chao's clueless, almost stereotypical restaurant hostess. Lucille Soong made us notice as Chao's meddling mom who just HAD to help this family. And Jeff Marcus as one of Tess' more troubled patients.
Although the musicians showed talent, I will say I agree with the first opinion Tess had of her daughter's music. It was all just noise! I liked the music for the wedding rehearsal.
I still want to see the Jodie Foster original, and twice I have been annoyed that someone felt the need to do a remake rather than show the original. But this one was really worth it!
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