6.2/10
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20 user 18 critic

Dallas 362 (2003)

R | | Drama | 14 June 2003 (USA)
Rusty (Hatosy) starts to pursue a path to a more meaningful life, thanks to his connection to Bob (Goldblum), the boyfriend of his mother, Mary (Lynch). His new take on life causes friction with his best friend, Dallas (Caan), and both men find their friendship pushed to its breaking point, causing them to make life-changing decisions.

Director:

Scott Caan

Writer:

Scott Caan
1 win. See more awards »

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Cast

Cast overview, first billed only:
Scott Caan ... Dallas
Jeff Goldblum ... Bob
Shawn Hatosy ... Rusty
Kelly Lynch ... Mary
Heavy D ... Bear
Val Lauren ... Christian Potter
Bob Gunton ... Joe
Marley Shelton ... Amanda
Selma Blair ... Peg
Isla Fisher ... Redhead
Freddy Rodríguez ... Rubin
Raymond T. Williams ... Rasta
Tony Lee Boggs Tony Lee Boggs ... Beard
Ann Scott ... Lady
Sasha Perl-Raver ... Girl #1
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Storyline

Rusty (Hatosy) starts to pursue a path to a more meaningful life, thanks to his connection to Bob (Goldblum), the boyfriend of his mother, Mary (Lynch). His new take on life causes friction with his best friend, Dallas (Caan), and both men find their friendship pushed to its breaking point, causing them to make life-changing decisions.

Plot Summary | Add Synopsis

Taglines:

Sometimes the only way home is through hell See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for pervasive language, drug use, some violence and sexuality | See all certifications »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

14 June 2003 (USA) See more »

Also Known As:

Dallas and Rusty See more »

Filming Locations:

Los Angeles, California, USA

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Box Office

Opening Weekend USA:

$2,831, 3 April 2005

Gross USA:

$21,108

Cumulative Worldwide Gross:

$21,108
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Ontario)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Directorial debut of Scott Caan. See more »

Soundtracks

Leaving Trunk
Written by John Estes
Performed by Taj Mahal
See more »

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User Reviews

A fine first film with nice performances
22 September 2003 | by brucecoughran-1See all my reviews

In Scott Caan's first feature, Dallas 362, you can see the same thing as was seen in his first play ('Almost Love'), the raw elements of a budding talent. Caan, son of actor James Caan, wrote and directed the deceptively simple buddy movie and in which he also stars along with Shawn Hatosy, Jeff Goldblum, and Kelly Lynch. The film, shot on a low budget on Locations in LA, manages to create a world of its own, and one in which you finally care about these flawed characters, and without falling into any of a number of possible clichés of this kind of filmmaking.

The film follows two close friends, Rusty (played by Hatosy) and Dallas (Caan), who call themselves `brothers' and are constantly becoming involved in bar fights, repeatedly being bailed out of jail by Rusty's mother, played by Kelly Lynch. Rusty wants to grow up but can't seem to break out of this pattern. Goldblum plays the mother's boyfriend who is a therapist and begins seeing Rusty as a favor to his mother. The obvious complications of this triangle come out early and are resolved in a very honest and truthful manner, and Goldblum gives a surprisingly fresh and satisfying performance.

The relationship of the friends is obvious from the beginning, and the fact that you see the problems coming makes them no less compelling. In fact, Caan has succeeded in something that is really quite difficult. As Dallas begins to dabble in ideas of larger crimes, we see coming the time when guns will come out (and they do), but even as it all happens he manages to keep the focus on the characters and not on the action. We care about what will happen to these flawed characters. This is a real strength of this film.

In fact, all of the performances are good here (including a nice turn by Val Lauren). And the film has the great virtue that it is evenly paced and not overly long. Caan manages the tricky task of working on both sides of the camera well, although this is definitely more a movie of characters and performances rather than a cinematic vision. The photography is effective for the story and shows some of the budget constraints, but it also does not call attention to itself. Undoubtedly Caan will develop as a director over time, but this is a very respectable first effort.


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