A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Retired FBI profiler Terry McCaleb (Eastwood), who has recently had a heart transplant, is hired by Graciela Rivers (De Jesus), to investigate the death of her sister, Gloria, who happens to have given McCaleb his heart. On the case, he soon deduces that the killer, who staged the murder to look like a random robbery, may actually be a serial killer Terry was trailing for years in the FBI. Can the elderly and feeble McCaleb, who had intended to spend his retirement living on his boat in the Los Angeles harbor, and who can't drive, and has to nap regularly, muster up the endurance to find the killer?Written by
Amir Al-Kourainy <firstname.lastname@example.org>
A behind-the-scenes making-of promotional documentary for this movie was made for television. Entitled Making 'Blood Work' (2002), it is available on the DVD. However, the short doc reveals by use of scene clips the whodunit identity of the film's serial killer. See more »
As Terry McCaleb walks up to James Lockridge body he is seen with a bullet to the head. But the close up of James Lockridge shows a clean unmarked forehead. See more »
[referring to McCaleb at crime scene]
Okay, listen. Whatever happens, it'll his face on the front page.
See more »
All around enjoyable murder mystery and human interest drama
In "Blood Work" Eastwood plays an FBI agent, recovering from a heart transplant, who is asked by the sister of the murdered woman whose heart he received to find her killer. The result is surprisingly even and interesting murder mystery in which we see Eastwood piece together the evidence pointing to the killer while dealing with heart transplant issues and making nice with his pro bono client. The film has fewer plot holes than most murder mysteries; leans more toward human interest than derring-dos; and is another example of Eastwood successfully pushing out the age envelope in a self-directed film product. Recommended for more mature couch potatoes into murder mysteries. (B)
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