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Ararat (2002)

R | | Drama, War | 6 December 2002 (USA)
Trailer
1:34 | Trailer
Interrogated by a customs officer, a young man recounts how his life was changed during the making of a film about the Armenian genocide.

Director:

Atom Egoyan

Writer:

Atom Egoyan
12 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Simon Abkarian ... Arshile Gorky
Charles Aznavour ... Edward Saroyan
Christopher Plummer ... David
Arsinée Khanjian ... Ani
Setta Keshishian Setta Keshishian ... Dinner Guest / Wailing Mother
David Alpay ... Raffi
Shant Srabian Shant Srabian ... Dinner Guest #3 / Doctor #1
Marie-Josée Croze ... Celia
Elias Koteas ... Ali / Jevdet Bay
Brent Carver Brent Carver ... Philip
Max Morrow ... Tony
Christie MacFadyen Christie MacFadyen ... Janet
Dawn Roach Dawn Roach ... Customs Officer
Garen Boyajian ... Young Gorky
Lousnak Abdalian Lousnak Abdalian ... Gorky's Mother
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Storyline

People tell stories. In Toronto, an art historian lectures on Arshile Gorky (1904 -1948), an Armenian painter who lived through the Armenian Genocide in the Ottoman Empire. A director invites the historian to help him include Gorky's story in a film about the genocide and Turkish assault on the town of Van. The historian's family is under stress: her son is in love with his step-sister, who blames the historian for the death of her father. The daughter wants to revisit her father's death and change that story. An aging customs agent tells his son about his long interview with the historian's son, who has returned from Turkey with canisters of film. All the stories connect. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

A Quest For Truth... Among Lies, Deception And Denial. See more »

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for violence, sexuality/nudity and language | See all certifications »
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Details

Official Sites:

egofilmarts.com [Canada] | Miramax | See more »

Country:

Canada | France

Language:

English | Armenian | French | German | Turkish

Release Date:

6 December 2002 (USA) See more »

Also Known As:

Araratas See more »

Filming Locations:

Canada See more »

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Box Office

Budget:

$15,500,000 (estimated)

Opening Weekend USA:

$211,130, 17 November 2002

Gross USA:

$1,555,959

Cumulative Worldwide Gross:

$2,743,336
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

David Alpay 's film debut. See more »

Quotes

David: [takes out pomegranate] You can't bring this in.
Edward Saroyan: [endearingly] Please.
David: No fruit or vegetables, that includes pomegranates. it's on your form.
Edward Saroyan: I like to eat the seed of this fruit. One each day. For luck.
David: I'm sorry, that's not allowed.
[Mr Saroyan takes out his penknife and cuts the fruit open]
David: What are you doing?
Edward Saroyan: This way, I don't need to bring it in. I eat it here, at the gate of your country. Look
[takes a bite and nods agreeingly]
Edward Saroyan: So, I bring luck in my stomach. Will you try it?
See more »

Crazy Credits

Closing disclaimers: 1) The historical events in this film have been substantiated by holocaust scholars, national archives, and eyewitness accounts, including that of Clarence Ussher. 2) To this day, Turkey continues to deny the Armenian Genocide of 1915. See more »

Connections

Referenced in Escape from the Newsroom (2002) See more »

Soundtracks

Mystery
Written by Gord Downie (as Gordon Downie) and Atom Egoyan
Performed by Gord Downie (as Gordon Downie)
From the album "Coke Machine Glow"
Courtesy of Wiener Art Records - copyright 2000
Copyright 2000 - Wiener Art (SOCAN)/Egoyan Ego Film Arts (SOCAN)
See more »

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User Reviews

 
A Turkish-American's perspective....
9 February 2004 | by turkamSee all my reviews

I have hesitated to see this film for many reasons, some might be obvious but others might not. I watched it on Starz the other night. I had questioned whether to go ahead and view or instead watch "All or Nothing" by one of the cinema's most intriquing directors, Mike Leigh, on another cable network. But, for better or worse, I am glad I saw this film. For starters, I have always been an admirer of Atom Egoyan. I feel he was snubbed, and should have been a best director Oscar nominee for "The Sweet Hereafter" (1997). I think he is very brave for making this film for surely even within the Armenian community there are many political povs about this issue and about how they should feel about it. I will refrain from getting into the politics of the subject matter of "Ararat" and into my own personal view about this controversy which is very much riddled in red tape for reasons I understand all too painfully well. Sadly, the rest of the world probably never will. Except, I will say, that the problem is two-fold. One, there is the Armenian conflict that Turkey and Turkish people do not accept or have outright distorted their view of history. Second, there is the reality that Turkey and the Turkish culture is very much hated, despised and oppressed in the West for reasons that partially stem from this issue as well as many others. I challenge any of you to go to a Blockbuster, or any other video store and try to find a Turkish film. I am 99 percent you will not find one even though the list of outstanding Turkish film directors is one which includes the likes of Yilmaz Guney, the director of "Baba" (The Father) "Yol" -- who was admittedly censored considerably in Turkey until recently (he died in political exile in France some 20 years ago), Ali Ozgenturk who directed "At---The Horse" and Sinan Cetin who directed the outstanding, internationally praised political comedy "Propaganda." I could also mention Serif Goren, Zeki Okten and so many others. It is a simple truth that while the West criticizes Turkey for various infractions, including its' treatment of ethnic Kurds, yet it continously suppresses the Turkish culture and Turkish people itself.Having grown up in the USa, and being half-American, I can validfy that this is the way it is. It may not be intentional, but all of us know that it some form or fashion 'the n----rs of Europe" tag applied to Turkish-Europeans applies to all of us. Now having said this one might think, I am going to criticize Egoyan for making this film. But, he has every artistic right to make "Ararat" and everyone, including people in Turkey, have a right to view this film and make their own decisions about this film. I do not consider "Ararat" a hate film as some others like "Midnight Express" and arguably "America, America" are. However, I do think the character of Ali, played by Elias Koteas, who was great in "The Thin Red Line" is cookie-cutter stereotype of Turkish-Westerners. He seems like a deliberately crude person who says things like "let's just drop our 'expletive' history" and he seems like a person devoid of any intellectual curiosity. Even though I have nothing against homosexuals, I don't think it was appropriate to make this character homosexual either. By doing so, the character plays into a stereotype that Billy Hayes utilized in his book (perhaps novel would be a more accurate word) "Midnight Express." This is the notion that all Turks are 'secretly gay' and therefore they are 'violent towards women.' My statements may seem outright ridicilous but few of you have probably endured the subliminal hatred that each of us who live in the West know to be a true fact of life. The film in a film scenes of the film actually are not ones which bother me as much. There is clearly a dark history here and it somehow has to be approached diplomatically but until the abuse of the Turkish culture is also approached, I am afraid as it was once said in "Cool Hand Luke." --- we will always have a failure to communicate.


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