It's 1922; somewhere in Australia. When a Native Australian man is accused of murdering a white woman, three white men (The Fanatic, The Follower and The Veteran) are given the mission of ... See full summary »
"Laughing Water - Mine Ha-Ha" is based on "Mine-Haha or Physical Education of Young Girls" by German author Frank Wedekind (Spring Awakening, Lulu, Pandora's Vase). Thuringia, Germany, in ... See full summary »
Hannah Taylor Gordon,
Either you make decisions or life makes them for you. For an ex-con struggling to go straight, the temptation of money, women and power prove too much, especially when his best friend promises him an easy heist.
Samuel Le Bihan,
In the Summer of 1969 a young man is filled with the life of the idyllic old pearling port Broome - fishing, hanging out with his mates and his girl. However his mother returns him to the ... See full summary »
Western Australia, 1931. Government policy includes taking half-white, half-Aboriginal children from their Aboriginal mothers and sending them a thousand miles away to what amounts to indentured servitude, "to save them from themselves." Molly, Daisy, and Grace (two sisters and a cousin who are fourteen, ten, and eight) arrive at their Gulag and promptly escape, under Molly's lead. For several days they walk north, following a fence that keeps rabbits from settlements, eluding a native tracker and the regional constabulary. Their pursuers take orders from the government's "Chief Protector of Aborigines", A.O. Neville, blinded by Anglo-Christian certainty, evolutionary world view, and conventional wisdom. Can the girls survive?Written by
Director Phillip Noyce reflected upon the experience of directing three untrained actresses as "one hell of a learning curve." His technique was not to over-direct them. He explained that: "Often some of the best things they achieved were without telling them anything at all, and that's what you hope for. Because that's why they're cast, because they're naturals." Noyce applauded the dedication and determination of the three girls. He always knew the movie would depend on the performances and the empathy achieved by the three young untrained actresses. See more »
When Moodoo is first seen riding north along the Rabbit-Proof Fence to meet a police constable he's on the west of the fence. Shortly before the actual meeting he's on the east side of the fence. See more »
[first spoken lines]
[v.o., in native language]
This is a true story - story of my sister Daisy, my cousin Gracie and me when we were little. Our people, the Jigalong mob, we were desert people then, walking all over our land. My mum told me about how the white people came to our country. They made a storehouse here at Jigalong - brought clothes and other things - flour, tobacco, tea. Gave them to us on ration day. We came there, made a camp nearby. They were building a long fence.
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The painting songs sung by the Walpiri, Amatjere and Wangajunka women were not sacred songs, but were songs able to be performed in public. See more »
Powerful story, beautifully shot and pretty well acted more than deserves 90 minutes of your time
1931 Australia. The state has passed a law that facilitates the collection of mixed race children to boarding camps where they are trained in their white side of their blood and to be home help as adults. The eventual aim is to prevent the growth of the aborigines as a race by watering down any mixed blood. A small group of children, Molly, Gracie and Daisy are taken from their mother and transferred across the country to one such camp. However Molly leads the trio in an escape from the camp and follow the rabbit proof fence that divides the country to return to her home.
I managed to fluke free preview tickets for this because the tickets I had come to collect were all gone! I must admit this film hadn't really appealed to me when I saw summaries and the poster, but I'm very glad that I did. The plot is based on fact and is a period of history that I admit I knew nothing about. I was surprised that this cruel and immoral practice carried on till as late as the seventies. The fact that the current Prime Minister of Australia refuses to apologise for it to this day shows that it is important that this story be told.
The film is told in a steady, unsentimental tone that allows the film to be powerful without the typically Hollywood use of sweeping music or other such lazy tools. Instead the circumstances of the story create the emotion. The story is a little weak at some points once the children escape the film has a touch too many scenes of near-capture and escape to sustain the drama. Also the film (understandably) lends a lot of respect to the Aborigines giving them a sense of mysticism that they maybe don't deserve. This is a slight problem when a key action involves a hawk that is supposedly summoned by their mothers (or something!). However these are minor complaints given the sweeping emotion of the film and the sheer power of the story.
The production and direction are excellent. Noyce has created a beautiful vision of the Australian Outback that really feeds the film. However the sound is also superb. Rhythmic footsteps ring out, crunching and banging of the landscape it works best in a cinema I guess but it adds to the dramatic feel of the film, even if some sudden noises caused me to jump without any reason in the scene to do so.
The cast are mixed but are important where it matters. Sampi is amazing as Molly. She carries the film with her strength but also little facial expressions that reveal that she is a child, reveal her strength and tell so very much. Both Sansbury and Monaghan also do well but not as well as the lead. Branagh is also perfectly pitched. Neville could easily have been overplayed as a hammy villain of the piece but here he is played just right he is a real man and we are left to decide for ourselves what to make of him. Some of the cast are average some of the children in the camp can't act and the majority of the white police officers are maybe a shade too much caricatured as evil men who dislike the blacks.
Overall this film may struggle to draw the Friday night crowd just looking for a bit of escapism of a weekend, but it is still well worth a look. It is beautifully shot and uses the Australian landscape to great effect complimenting the enormity and emotion of the terrible, terrible true story. Not exactly cheerful or uplifting but a powerful story that deserves 90 minutes of your time.
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