Musical dancer on the way out (at 36) Paula McFadden had it swell with actor Tony DeSanti, but instead of taking her to Hollywood he gets a European movie part. He even sublets their (his) ... See full summary »
Eugene and Stanley Jerome try to break into show biz as comedy writers while their parents' marriage ends. When the boys' material is broadcast on radio, the family hears their private life played for laughs.
Based on the true story of mother/son tag-team Sante Kimes and her offspring, Kenny, who crisscrossed the country and committed a string of crimes, among them robbery, fraud, arson, slavery, and murders that shocked the world.
Eugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He goes through the hardships of puberty, sexual fantasy, and living the life of a poor boy in a crowded house.
Connie Doyle is eighteen and pregnant when her boyfriend kicks her out. She accidentally ends up on a train where she meets Hugh Winterbourne and his wife Patricia who is pregnant. The ... See full summary »
In two short films we get to know how sports can influence on the lives if human beings. The film is also scattered with small interruption sports interviews underlining the events acted out in the film.
Police Officer Alex Kearney works in a rich, plush suburb of Philadelphia. When he stops an important businessman and his story of the incident is not believed, he is sent to work Downtown,... See full summary »
Penelope Ann Miller
I have not seen the play, or read it. However, having watched Murder by Death, also written by Neil Simon, I know that this was once marvelous. The man has talent, there's no doubt about that. I am not sure how this got so messed up. The ideas are potentially interesting, and the themes could be compelling. Heck, this could, if nothing more, be *funny*. But it's simply not so. Well, the jokes are occasionally great. We're talking one out of five or so, though. Looking at the guy's filmography, I'm thinking a large part of the blame lies with the director. The actors are all excellent, and they do the very best performances they can with what they are given to work with. You can only do so well with a script as apparently bad as this adaptation, and direction as utterly unfocused as this shows. This revolves around a 50's television comedian(maybe if you enjoy those, you'll find this amusing to a greater extent than I did) and his colleagues. There's stuff about censorship, commercialism and pushing oneself too hard, meanwhile, none of it gets enough development to matter or make an impact. The pacing is fine. Editing and cinematography are standard. There is some strong language in this. I recommend this to fans of at least one person involved who feel that they must catch everything that he/she/they are/is in. 5/10
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