6.8/10
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The Score (2001)

An aging thief hopes to retire and live off his ill-gotten wealth when a young kid convinces him into doing one last heist.

Director:

Frank Oz

Writers:

Daniel E. Taylor (story), Kario Salem (story) | 3 more credits »
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Cast

Cast overview, first billed only:
Robert De Niro ... Nick
Edward Norton ... Jack / Brian
Marlon Brando ... Max
Angela Bassett ... Diane
Gary Farmer ... Burt
Paul Soles Paul Soles ... Danny
Jamie Harrold ... Steven
Serge Houde ... Laurent
Jean-René Ouellet ... André (as Jean Rene Ouellet)
Martin Drainville ... Jean-Claude
Claude Despins ... Albert
Richard Waugh ... Sapperstein
Mark Camacho ... Sapperstein's Cousin
Marie-Josée Colburn ... Woman in Study (as Marie-Josee D'Amours)
Gavin Svensson Gavin Svensson ... Man in Study
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Storyline

Three generations of method acting giants unite for this crime thriller written by Kario Salem and directed by Frank Oz. Robert De Niro stars as Nick Wells, an aging thief whose specialty is safe-cracking and who is on the verge of retiring to a life of ease, running his jazz club and romancing his girlfriend Diane (Angela Bassett). But before he can ride off into the sunset, Nick is pressured to do one last job by his mentor and business partner, a flamboyant and extravagant upscale fence named Max (Marlon Brando). Max is plotting the heist of the Montreal Customs House, and he's got a man on the inside, Jackie Teller (Edward Norton), a talented but volatile crook who has managed to ingratiate himself with the facility's staff as a fellow employee suffering from cerebral palsy. Jackie bristles at Nick's interference in "his" score, however, and threatens violence when it seems he's going to be cut out of the action. In the meantime, Nick grows increasingly ill at ease about the ...

Plot Summary | Plot Synopsis

Taglines:

There are no partners in crime

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Germany | Canada

Language:

English | French

Release Date:

13 July 2001 (USA) See more »

Also Known As:

Cuenta final See more »

Filming Locations:

Kahnawake, Québec, Canada See more »

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Box Office

Budget:

$68,000,000 (estimated)

Opening Weekend USA:

$19,018,807, 15 July 2001

Gross USA:

$71,107,711

Cumulative Worldwide Gross:

$113,579,918
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Many of the scenes inside the Montreal Customs House were filmed inside the actual building. The filmmakers built some temporary additions and used some CGI to suit their purposes. For instance, there is no elevator that goes down from the ground floor to the basement. See more »

Goofs

When Nick uses water from the fire sprinkler system to fill the safe, that should have triggered a water flow alarm. There is a detection switch that sounds an alarm if water begins flowing through the system (as this is typically caused by a sprinkler head discharging water to put out a fire), which would summon the Fire Department. In addition the water flowing out of the pipe should have been a dark brown color, not crystal clear as shown in the movie. The stagnant water in fire sprinkler systems always contains high amounts of rust, pipe oil, pipe sealant, and other sediment. See more »

Quotes

Nick: If you want me to do this, you gotta pay me what's right. It's gotta be that way.
Max: [Indignant] I always pay you what's right.
Nick: You always think you do. I always know what you pay me. It's not always right.
See more »

Connections

References Entrapment (1999) See more »

Soundtracks

Green Dolphin Street
Written by Bronislau Kaper and Ned Washington
Performed by Cassandra Wilson
Produced by Howard Shore
Cassandra Wilson appears courtesy of Blue Note Records
See more »

Frequently Asked Questions

See more »

User Reviews

The Score scores big!
13 July 2001 | by stacilayneSee all my reviews

Yep, it's another clichéd script: Career cat burglar Nick (Robert De Niro, Meet the Parents) is about to take on a nearly impossible heist that requires his joining forces with a talented but brash young accomplice, Jackie (Edward Norton, American History X), whom he doesn't particularly like. The dubious alliance, arranged by Nick's longtime friend and fence, Max (Marlon Brando, Don Juan deMarco), throws a wrench into Nick's plan to retire from crime and settle down with his lady love, Diane (Angela Bassett, Supernova).

Uh-huh. The old, "One more job, then I'll retire," routine. But that's where the routine ends. The trio of brilliant lead actors transcend the plot, and overcome the sometimes sluggish direction (courtesy of Frank Oz, who did Bowfinger and many other comedies -- and children's flicks, such as The Indian in the Cupboard). It's an absolute pleasure from start to finish, just to watch and study these men -- but then, they could probably be taking turns reading the phone book and make it seem fascinating. (Angela Bassett is excellent too, but she is unfortunately relegated to the one-dimensional, obligatory "girlfriend role" here.)

The score is a big one: a 16th century royal scepter worth $30 million dollars. It's locked away in the basement of The Customs House in Montreal, Canada, and security is getting tighter by the day. Jackie infiltrates the House, posing as "Brian," a janitor afflicted with cerebral palsy. Norton is flawless in his dual roles (remember his schizo debut in Primal Fear?), and better still, he plays Brian as funny and endearing without ever creeping into caricature-ville. Meanwhile, Nick is figuring out how to bypass the ironclad security system and crack the uncrackable safe. DeNiro doesn't have a lot to do with his character, but what he was given, he runs with. He not only makes you believe the clichés, you like them, dammit. Brando is clearly having fun with his role -- one tailor-made just for him. "I wrote the part specifically for Brando," said co-writer Kario Salem. "I imagined him as a cross between Truman Capote and Tennessee Williams -- someone of great flamboyance and humor and wit and someone of great size, both literally and figuratively." Brando nails it all the way. (Interesting aside: the roles of Nick and Jackie were originally slated for Michael Douglas and Ben Affleck.)

The twist ending is given away a bit too early (but then there's another twist), and there isn't anything here we haven't seen before. However, with three generations of the world's best actors on the screen, The Score scores big.


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