A look at the life of Alfred Kinsey, a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
A high school teacher's personal life becomes complicated as he works with students during the school elections, particularly with an obsessive overachiever determined to become student body president.
A New York woman (who doesn't really have an apartment) apprentices for a dance company (though she's not really a dancer) and throws herself headlong into her dreams, even as the possibility of realizing them dwindles.
Adult siblings Sammy Prescott and Terry Prescott have had a special bond with each other since they were kids when their parents were tragically killed in a car accident. That bond is why single mom Sammy, who still lives in the family home in Scottsville, upstate New York with her eight year old son Rudy, is excited to hear that Terry, who she has not seen or heard from in a while, is coming home for a visit. That excitement is dampened slightly upon Terry's arrival, when she learns that he, broke, is only there to borrow money. As adults, Sammy, who works as a lending officer in the local bank, is seen as the responsible sibling, while unfocused Terry is seen as the irresponsible drifter. Regardless, Sammy welcomes what ends up being Terry's longer than planned visit if only so that he can help take care of Rudy, who has no adult male figure in his life. Rudy has never known his deadbeat biological father, with whom Sammy wants nothing to do. As Terry - acting as the supposed adult ...Written by
The film is set in Scottsville, New York, which is in the far
west of the state, south of Rochester. However, a sign is seen for NY Rt28, which does not run anywhere near Scottsville. This is because the film was shot in and around Phonecia, New York, through which NY Rt28 runs. See more »
[as Terry is packing up]
Where are you going?
I don't know. I just want to get out of this town. And if you've got any sense when you get old enough you'll get out of here too. Your Mom's gonna live in this town for the rest of her life, and you know why? Because she thinks she has to. Don't ask me why, but that's the truth. She thinks there's all these things she has to do, but you want to know one thing about your Mom? She's a bigger fuck-up than I ever was. I mean, I know I messed up. You ...
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Jeffrey Sharp would like to dedicate his work on this film to his mother, Virginia Sharp Albright, with love and admiration. See more »
I don't. This is just one of Those Movies, y'know? Shot for shot it's great. The cinematography definitely knows what it's doing and it's VERY mindful of itself in such a way that we can ignore it if we're not paying attention to it. As such, the camera steps out of the way and we're free to absorb the story, as simple as it may be. Man... I honestly loved this movie. The acting was top-notch, the principles were great and everyone else was cast so perfectly that every second of the film just falls into place. Just go see it. Please. Mark Ruffalo gives a fantastic performance as an Unfamous, Untalented Bob Dylan. The script is not heavy-handed. It's charming without being aware of itself. It's just a really really good film in the style of good films (re: The Sweet Hereafter) that's going the way of the dodo under the weight of these iconoclastic Hollywood heavy hitters (re: Shaymalan et al). Such a good film. So good.
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