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Pollock (2000)

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2:20 | Trailer
A film about the life and career of the American painter, Jackson Pollock.

Director:

Ed Harris

Writers:

Steven Naifeh (book), Gregory White Smith (book) | 2 more credits »
Won 1 Oscar. Another 2 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ed Harris ... Jackson Pollock
Robert Knott ... Sande Pollock
Molly Regan Molly Regan ... Arloie Pollock
Marcia Gay Harden ... Lee Krasner
Sada Thompson ... Stella Pollock
Eulala Scheel ... Arloie's Baby (as Eulala Grace Harden)
Matthew Sussman Matthew Sussman ... Reuben Kadish
Bud Cort ... Howard Putzel
Amy Madigan ... Peggy Guggenheim
Everett Quinton Everett Quinton ... James Johnson Sweeney
Annabelle Gurwitch ... May Rosenberg
John Rothman ... Harold Rosenberg
John Heard ... Tony Smith
Kenny Scharf Kenny Scharf ... William Baziotes
Tom McGuinness Tom McGuinness ... Franz Kline
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Storyline

At the end of the 1940's, abstract expressionist Jackson Pollock (1912-1956) is featured in Life magazine. Flashback to 1941, he's living with his brother in a tiny apartment in New York City, drinking too much, and exhibiting an occasional painting in group shows. That's when he meets artist Lee Krasner, who puts her career on hold to be his companion, lover, champion, wife, and, in essence, caretaker. To get him away from booze, insecurity, and the stress of city life, they move to the Hamptons where nature and sobriety help Pollock achieve a breakthrough in style: a critic praises, then Life magazine calls. But so do old demons: the end is nasty, brutish, and short. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

A True Portrait of Life and Art.

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for language and brief sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Sony Pictures Classics

Country:

USA

Language:

English

Release Date:

23 March 2001 (USA) See more »

Also Known As:

Pollock, o asymvivastos See more »

Filming Locations:

Long Island, New York, USA See more »

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Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend USA:

$44,244, 17 December 2000

Gross USA:

$8,598,593

Cumulative Worldwide Gross:

$10,994,533
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The film cast includes two Oscar winners: Marcia Gay Harden and Jennifer Connelly; and two Oscar nominees: Ed Harris and Amy Madigan. See more »

Goofs

When Jackson and Lee first go out to the barn, they discover that it was being used for storage and that, if cleaned out, it might make a suitable studio space. In reality, Jackson and Lee moved the empty barn to improve the view from the upper windows of their house. After moving the barn, Jackson started using it as a studio. This was probably done for the reasons that, since they were shooting on location, and moving the barn would have not only been much more expensive, it would have been illegal as it is a historic landmark. See more »

Quotes

[first lines]
Jackson Pollock: [drunk] Who's the greatest drummer in the world?
Sande Pollock: What?
Jackson Pollock: Krupa
See more »

Connections

Featured in The 73rd Annual Academy Awards (2001) See more »

Soundtracks

Blues in the South
Written by William Johnstone
Performed by Louis Armstrong
Courtesy of The RCA Music Group
See more »

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User Reviews

 
As vivid and real as Hollywood is likely to make about the painter
28 August 2010 | by secondtakeSee all my reviews

Pollock (2000)

There's no question this is a well made film, and based pretty much on truth, and an interesting truth--the life of a great Abstract Expressionist. Some would say the greatest of them all.

For myself, this isn't enough, and I know this is me. I'm an art critic and professor of Art in my real life, and I'm never very patient with movies about artists. The reason isn't that there are inaccuracies, but that there is a subtle or not-subtle goal of aggrandizing the subject. This reaches a beautiful but, again, romanticized, peak when Pollock makes his famous break into true gestural, raw work in a large commissioned piece for Peggy Guggenheim (who is portrayed, oddly, as a shy and dull sort, which I've never pictured). Then later he makes his drip works. And then he dies, again over dramatized and made aesthetic, as tragic and ugly as it had to have been in life.

If you want to really get into Pollock's head, especially if you aren't already a fan (I love Pollock's work), this is a convincing movie. At the helm as both director and playing the artist is Ed Harris. He is especially believable as a painter, which is something of an important point. This isn't like those movies about musicians where the actor is clearly not playing. Harris actually paints the darned thing, the big masterpiece, on the cusp of the drip works. I don't know if Harris was drinking, too, but he's a good drunk, and of course Pollock was a better drinker than a painter, even.

It's a cheap shot to say a movie could have been shorter, but this one sure would have propelled better with less atmosphere, less filler that is meant to create his life but is interesting only as an illustration of historical facts. It wore me thin for those reasons. Again, it might be a matter of how much you can get sucked into the given drama that is Jackson Pollock's life. It was quite a life, crude, untempered, brave, and immensely connected to what matters as an artist.


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