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Love's Labour's Lost (2000)

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1:17 | Trailer
An update of the classic Shakespeare story, Director Sir Kenneth Branagh shot this movie like a classic 1930s musical. This movie tells the story of four best friends who swear off love.

Director:

Kenneth Branagh

Writers:

William Shakespeare (play), Kenneth Branagh (screenplay)
1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Alessandro Nivola ... The King
Alicia Silverstone ... The Princess
Natascha McElhone ... Rosaline
Kenneth Branagh ... Berowne
Carmen Ejogo ... Maria
Matthew Lillard ... Longaville
Adrian Lester ... Dumaine
Emily Mortimer ... Katherine
Richard Briers ... Sir Nathaniel
Geraldine McEwan ... Holofernia
Stefania Rocca ... Jacquanetta
Jimmy Yuill ... Constable Dull
Nathan Lane ... Costard
Timothy Spall ... Armado
Anthony O'Donnell ... Moth
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Storyline

The King of Navarre and his three companions swear a very public oath to study together and to renounce women for three years. Their honor is immediately put to the test by the arrival of the Princess of France and her three lovely companions. It's love at first sight for all concerned followed by the men's highly entertaining, but hopeless efforts to disguise their feelings. Written by Tender Branson

Plot Summary | Add Synopsis

Plot Keywords:

oath | france | king | navarre | friend | See All (97) »

Taglines:

A New Spin on the Old Song and Dance See more »


Motion Picture Rating (MPAA)

Rated PG for sensuality and a brief drug reference | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | France | USA

Language:

English

Release Date:

31 March 2000 (UK) See more »

Also Known As:

Love's Labour's Lost See more »

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Box Office

Budget:

$13,000,000 (estimated)

Opening Weekend USA:

$24,496, 11 June 2000

Gross USA:

$299,792

Cumulative Worldwide Gross:

$299,792
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The actors and actresses were required to undergo a three week boot camp where they were exhaustively trained in singing and dancing. See more »

Goofs

While the movie's concentrating on what is obviously WW2, one of the paper shown announces the end of the war on November 11, which is in fact the date of the end of WW1 in 1918 (the end of WW2 being on May 8, 1945 in Europe and August 15 in Asia). See more »

Quotes

King Ferdinand of Navarre, The: How well he's read, to reason against reading.
See more »

Alternate Versions

The UK Region 2 DVD contains 5 deleted scenes:
  • The boys are arguing about the girls and about breaking the vows the made.
  • Moth, Constable Dull, Holofernia, Sir Nathaniel and Costard and discussing what to perform for the king, the princess and their company. They descide upon performing ^Óthe 9 worthies^Ô. Parts of this scene can be seen in the news reels.
  • The third extra scene is an extended version of the scene were the girls are discussing and mocking the gifts they received from the men. The extra parts are extra dialogue for Katherine and Rosaline. Katherine tells the story of a girl who died from melancholly. Rosaline has an extended part of dialogue in which she mocks the men and Berowne specifically.
  • There is a alternative scene for the masked dance scene more true to the story of Shakespeare. The boys dress up as Russians who specially came to visit the girls.
  • The fifth scene is the performance of 'the 9 worthies' by the supporting characters.
  • The UK Region 2 DVD does also contain various outtakes. Some of these were cut (ca. 4 seconds) to maintain the "U" rating.
See more »


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User Reviews

 
Much better than the remarks found here
18 October 2003 | by artzauSee all my reviews

Interesting reading the reviews herein. The reviewers either loved or hated it. Some witty shots taken at Branagh's effort to make one of The Bard's weakest comedies into something enjoyable. I mean, c'mon. The play is a story of young men swearing off of love and being made to eat their vows by clever women through little games and switched clues. Hardly a deep plot with potentially tragic twists like Much Ado About Nothing, or confusion reigning during a lover in love with love as in Twelfth Night, or a knee slapper like Midsummer's Night Dream. So, Branagh, ever the innovator and risk-taker, makes it into a gishy late 30s musical with all the trappings (make that 'tappings') from lead into song and dance routines to coordinated smiling shapely swimmers peeling off like a deck of cards into a swimming pool. Busby Berkeley would have loved it, as would those guys like Cole Porter, Irving Berlin and Vincent Youmans who wrote those songs back in the 30s. OK, so the ending sucks but how else can you wind up this comedy? It's not Branagh's fault this play is Much Ado About Nothing; blame it on the Bard. He wrote it.


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