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South of Heaven, West of Hell (2000)

A U.S. Marshal tracks a destructive clan of outlaws, while a government man claims that the Marshal is actually a ghost of his deceased self.

Director:

Dwight Yoakam

Writers:

Dwight Yoakam (story), Dennis Hackin (story) | 3 more credits »

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Cast

Cast overview, first billed only:
Dwight Yoakam ... Valentine Casey
Vince Vaughn ... Taylor Henry
Billy Bob Thornton ... Brig. Smalls
Bridget Fonda ... Adalyne Dunfries
Peter Fonda ... Shoshonee Bill
Paul Reubens ... Arvid Henry
Bud Cort ... Agent Otts
Michael Jeter ... Uncle Jude
Bo Hopkins ... Doc Angus Dunfries
Luke Askew ... Leland Henry
Joe Unger ... Nogales Sanchez
Matt Clark ... Burl Dunfries
Noble Willingham ... Sheriff Harris
Scott Wilson ... Clete Monroe
Ritchie Montgomery ... Harold
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Storyline

Valentine Casey is a U.S. Marshal in the desolate Tucson territory of the early 1900s. On Christmas Eve, his outlaw family pays him a disturbing visit. He must confront the sins of his past. He and his partner, U.S. Christmas, journey through the desert to a small town that the ruthless Henry Clan has hit in order to save Casey's love, Adalyne. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

It's A Little Strange Out There...

Genres:

Drama | Western

Motion Picture Rating (MPAA)

Rated R for strong violence, language and some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Movie Mongrel

Country:

USA

Language:

English

Release Date:

28 January 2000 (USA) See more »

Also Known As:

South of Heaven, West of Hell See more »

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Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend USA:

$16,666, 17 June 2001

Gross USA:

$28,149

Cumulative Worldwide Gross:

$28,149
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (video)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Bridget Fonda is the daughter of Peter Fonda, who is also in the film. See more »

Goofs

When Valentine is on the porch with the 1887 Winchester lever action shotgun, he loads it, then racks the lever closed; in the next frames, the lever is down, action open again. See more »

Quotes

Valentine Casey: I don't know if I'm certain of my existence, Taylor. Only my intentions.
See more »

Connections

Features The Great Train Robbery (1903) See more »

Soundtracks

WORDS (LOVE THEME)
words and music by
Dwight Yoakam © 1997
See more »

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User Reviews

If you like strange and oddball movies ...
24 August 2001 | by Poe-17See all my reviews

I saw the movie a few days ago and, to be honest, when the final credits rolled I thought I had just watched a near miss film. I had a lot of hopes for Mr. Yoakam's writing, directorial, star debut because of the "outside the box" psyche his career and approach to music express. I wasn't disappointed, exactly, perhaps stymied is a better word. Now, however, a few days after viewing the movie, I realize what a wonderfully different, engagingly off centered film it was. I keep thinking of the word "raw" in its many connotations. The movie has no hero but it has heroism. There are no great people but there is greatness. It's a film of details, visual and story and the only actor in the film who didn't make me buy his character was Vince Vaughn although he redeemed himself in the last reels where it seemed he had finally connected with his bad guy alter ego. Dwight was straight on all the way through, drifting in out of left field like he always does and standing right next to you before you realize he's there. This ain't John Wayne or Clint Eastwood but you'll surprize yourself how much you expect it, how much you should have seen it coming and how relieved you are Dwight isn't the fastest gun in the west and good and evil laces itself through all the characters and story lines. Life doesn't run on a script and neither does this movie, it's life's accidents and miscalculated tosses of a stick of dynamite that propels our lives and this film. We stumble our way to our destiny, to our conclusion. It was also great to see all those familiar faces and I'm still utterly and intensely bamboozeled about who and what and why Billy Bob Thorton was about in this movie. Talk about a curio. For me, the movie's finest moment came a couple of days after I had seen it, when I began to realize the appeal of this breed of "different". I imagine I'll buy this video and watch it again every couple of years or so. I know there's a lot I missed but I'm going to enjoy, at my leisure and in repeat viewings, deciphering what Dwight Yoakam was doing here. It's a very difficult film to recommend because even an open mind can fail to find substance to grab a hold. But once you watch it, you can't put it down. I really believe this will give Dwight Yoakam the foot in the door to take Yoakam films forward and I'm just as convinced he'll do something very interesting and of lasting significance in cinema sometime in the future. But South of Heaven, West of Hell, will be a stand alone piece forever. Watch the movie if you're into different, it's dreary real, hilarious, grimy, disgusting, moments of real brilliance and, though I've heard no one mention it, has moments of dead on minor level special effects. But I have a question for viewers; has anyone noticed that Dwight Yoakam in a hat and sans a hat are two completely different characters?


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