An aspiring young writer (Jackson) tracks a literary titan (Keitel) suffering from writers block to his refuge in rural Italy and learns about life and love from the irascible genius and his daughters.
In 1930's Marjorie Kinnan Rawlings moves to Florida's backwaters to write in peace. She feels bothered by affectionate men, editor and confused neighbors, but soon she connects and writes The Yearling, a classic of American literature.
A newly promoted book editor discovers a potential best seller, although unfinished, manuscript buried in her predecessor's office. Moved by the passionate love story and drawing parallels ... See full summary »
A young family, struggling to stay afloat amidst disappointment and heartache, set out on the road in search of the hope of healing as a couple, connecting with their son and pursuing a ... See full summary »
The power of words and images to open hearts. Helen runs, miles a day, to burn off energy: she's an emotional celibate. Going through the post at her shop, she finds a romantic and poetic letter between the couch cushions, unsigned, and thinks it's for her. It melts her resistance to feelings, and soon she undertakes an affair with Johnny, a collegiate employee. (He sees the letter and thinks she wrote it to him; he quotes some of it, so she thinks he wrote it to her.) In the background are Helen's long-time friend, George, who loves her, and her mother who abruptly left on a long trip months before. Discovering who actually wrote the letter brings insight and promise.Written by
One of the greatest and most wonderful surprises of 1999, "The Love Letter" is a sparkling little film. Held back by a remarkably asinine trailer--which manages to combine the three or four dull, brief moments in the movie--the picture is a warm-hearted, eminently watchable tale. I had assiduously avoided the flick because of that very trailer, but ended up having to watch "The Love Letter" on an 11 hour flight from Seoul to Vancouver. I could easily have watched it three times--it's that much fun.
Kate Capshaw is bent and broken-down but somehow manages to be both incredibly lovable and believable. Tom Everett Scott is absolutely priceless in his role as a confused young hunk. but any damage they may have done to the overall film is negated by the superb performances of Scott and Capshaw. Sure, it's not worthy of an Oscar. But neither was "Shakespeare in Love", and look what happened there.
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