Either you make decisions or life makes them for you. For an ex-con struggling to go straight, the temptation of money, women and power prove too much, especially when his best friend promises him an easy heist.
Samuel Le Bihan,
An Albanian family is torn apart by a murder, resulting in a blood feud that makes eldest son Nik a prime target and forces his sister, eldest daughter Rudina, to leave school in order to take over the family business.
"Laughing Water - Mine Ha-Ha" is based on "Mine-Haha or Physical Education of Young Girls" by German author Frank Wedekind (Spring Awakening, Lulu, Pandora's Vase). Thuringia, Germany, in ... See full summary »
Hannah Taylor Gordon,
Berkeley record store clerk Nick Brady (Jonathan Scarfe) begins to experience strange visions from an entity he calls VALIS that cause him to uproot his family and move to Los Angeles where... See full summary »
John Alan Simon
In the year 2080, the world is connected by a massive computer network. Combiners have developed a process that allows them to merge the souls of human and machine/cyborg, wreaking havoc in... See full summary »
The narrator, "Barjo" (nutcase, crap artist), is an obsessive simpleton, given to filling his notebook with verbatim dialog, observed trivia, and oddball speculation on human behavior and ... See full summary »
An exciting, action-packed sci-fi story from the author of Total Recall and Blade Runner, the thrilling Director's Cut of Impostor brings you Gary Sinise (Forrest Gump, Apollo 13), Madeleine Stowe (We Were Soldiers, Playing By Heart), Vincent D'Onofrio (The Cell, Men In Black) and Mekhi Phifer (O, 8 Mile) in a stellar cast. At a time when the earth has been at war with an alien force for over a decade, the latest work of lauded governmental scientist Spencer Olham (Sinise) promises to save the planet. But suddenly, Olham himself is accused of being an alien spy and is thrown headlong into a disorienting nightmare as a fugitive from the law. With blasts of adrenaline-fueled intensity, this futuristic thriller soars as Olham races to prove his identity to the world...and himself...in time to save all mankind.
The adaptation of Philip K. Dick's short story "The Impostor" was originally planned to be one segment (about forty minutes) of a three-part science fiction movie. The production company liked the early "dailies" so much, that the idea was fleshed out into a feature length film. The other segments grew into the features Mimic (1997) and Alien Love Triangle (2008). See more »
After Spencer fires the Glock at the guards, though the gun is out of focus in the foreground, you can see that it has a round "stovepiped" (jammed sideways in the firing chamber and preventing the slide from closing). The gun is useless in this condition, yet Spencer continues to point it as if he were ready to fire. See more »
There wasn't always a war with the Centauri, but in my lifetime it's all I've ever known. By the year 2050, six years after the first attack, we'd lost so many things. We'd lost the sky to electromagnetic domes, to shield the Earth from frequent air raids increasing in intensity. We'd lost the uncovered cities that the government forgot. We'd lost democracy to global leadership. We didn't expect peace anymore with the Centauri, because we came to see that peace wasn't their goal. ...
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The American DVD release includes the original short version that was meant to be one of three short segments in an anthology. See more »
"Those who deny the existence of robots may themselves BE robots..."
The previously posted comment for this film would have successfully steered me away from it... If I weren't such a huge fan of "Criminal Intent" (Vincent D'Onofrio) and "Monk" (Tony Shalhoub) that I had to see it anyway.
I wondered throughout the movie, "Is this guy (Gary Sinise) a robot or NOT???" The sets and direction (not to mention the performances of Gary Sinise and Vincent D'Onofrio, which were intense) sucked me in. D'Onofrio makes a fabulous driven investigator. Shalhoub's role was small, but I was too busy grooving on the plot to care. My one regret in the performances is that Madeline Stowe didn't have much to do, except alternate between the roles of a stereotypical uber-doctor and a limpid, grieving wife. The one scene that hints at her acting talent occurs when she confronts her husband at the abandoned park.
Granted, the film does start out like it's going to be typical sci-fi schlock, but once it was past the first 15 minutes, I almost forgot it's science fiction.
The bottom line: This movie WORKED for me! 9 / 10 stars
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