Dr Cohen works in a mental institution where all patients believe they're historical members of the German Nazi Party, including Hitler. They are allowed to live out their delusions, so "Hitler" tries to consolidate his power.
A man pursues stand-up comedy encouraged by his fellow garbage man. Though his friend, who accompanies him on accordion, continues to tell him how great he is, he actually stinks. When the ... See full summary »
At a college visit to a war buddy's professor daughter, mercenary Karl Thomasson finds her brutally beaten. He then poses as a teacher to teach a lesson, and get revenge, on the brash football jocks responsible.
Barbara Jane Reams
Not only does the aircraft appear to be a 747/757/Caravelle on takeoff/during flight/after landing but it would appear to have started out life as a L10-11 at the departure gate before boarding. Quite the versatile machine! See more »
Just when you thought it was safe to take to the skies: another awful aircraft movie is churned out. In the tradition of all bad disaster movies (in both senses of the word) this film has no redeeming elements, and provides an excellent case study on what to avoid when attempting character development, suspense or special effects. The foremost failing of the flying flop is its assumption that the viewer cares about the central characters. The only reason we may feel sorrow for these people is for their lack of acting talent. In scenes in which the female lead is 'crying' no tears appear in her eyes, let alone the viewer's. The rest of her time is spent cold-heartedly bossing around air traffic controllers while various planes almost collide with each other. Meanwhile, her 'husband' (you can almost feel the lack of chemistry between the two) mirrors his wife by barking orders at an inept pilot and co-pilot--who seemingly know nothing about emergency procedures--and spends the rest of his time nervously flailing his limbs and running his fingers through his hair as though on a prolonged caffeine high. After the plane defies physics by sliding around the airport on landing (obviously achieved by an undercranked camera, as vehicles in the background of the shot show), a suitably awful line is delivered to end the film. A survivor (of course, you also qualify as a survivor if you've sat through the length of the film) suggests, on how to return home: "How about we take a really slow boat". A more suspenseful two hours could be spent watching paint dry.
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