In cold Lapland Finland, under the eternal midnight sun, two ardent lovers reunite once again after a long period apart, governed by a powerful and eloquent circular motif woven by destiny, faith, and love. Can they deny their destiny?
A historical drama set in Roman Egypt, concerning a slave who turns to the rising tide of Christianity in the hope of pursuing freedom while falling in love with his mistress, the philosophy and mathematics professor Hypatia of Alexandria.
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
A once handsome playboy, César finds himself in a mental facility and he can't remember why. All he can remember is meeting the love of his life for one day, and then getting into a car accident which left his face horribly disfigured. But the pain of becoming physically undesirable may help him to find the truth.Written by
In the movie Eduardo Noriega appears moving by an empty Madrid's Gran Vía, without cars or people. This scene was victim of a certain polemic due to The Devil's Advocate (1997), where its main character Keanu Reeves appears moving by a too totally empty New York City's Fifth Avenue, creating a doubt about which of the two scenes was copied (or plagiarized) of the other. See more »
A crew member is reflected in the car window when César picks up Pelayo for tennis. See more »
"Abre Los Ojos" is one of the most astonishing movies I have ever seen. It's so full of astounding twists that it constantly makes you sit up and wonder what the next shot will bring you. At the same time, you keep wondering if a movie with so many twists will be able to tie everything up at the end, but Amenabar and his co-writer manage to do just that, in a reasonably (if not perfectly) satisfying manner. Eduardo Noriega's acting is so good it's beyond belief, and so is the "disfiguring" makeup. Pair this off with "The Game" for a truly mind-bending double feature and see what cinema should be like more often. (***1/2)
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