An unemployed ex-office worker (Anna Thomson) searching for work floats a fragile line of sanity as she struggles to find friendship and companionship. Her tenuous grasp on reality further ...
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Rolf de Heer
An unemployed ex-office worker (Anna Thomson) searching for work floats a fragile line of sanity as she struggles to find friendship and companionship. Her tenuous grasp on reality further fluctuates when a man (Matthew Powers) whom she met in a restaurant and started an affair is called to go to India for an assignment. The final straw occurs when she is evicted and moves into a sleazy hotel. She then starts seeking casual sex in unorthodox locations just to have human contact.Written by
John Sacksteder <firstname.lastname@example.org>
Anna Levine/Anna Thomson seems to have inherited the mantle of Gena Rowlands in those awful Cassavetes films of the 70's, A Woman Under the Influence and Gloria. This is woman-as-victim in a soup of hysterical emotion and over-acting. My toes used to curl in embarrassment as I watched the film spool by, hoping I'd get a respite from Rowland's suffering at the end.
Anna Levine was good as Delilah, the hooker with a slashed face in The Unforgiven, and was fun to watch as Vera, the transsexual in Water Drops on Burning Rocks (my favorite of Ozon's films) but this time she's awful in a terrible movie. Levine wears coats and scarves that seem oddly out of date, as though she was Doris Day waiting for Mr Right. She has big lips that droop but aren't expressive at all, and with the dumb dialog by Kollek, it's all very tiresome. Tahnee Welch plays Lola, the criminal hooker, with a sort of brisk efficiency which moves the story along. Tracee Ellis Ross does a great job as Linda, the aspiring social worker who leaves for California--I kept hoping she'd walk off with the picture, but no, we are stuck with Nembutal Sue.
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