Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American Northeast Bronx neighborhood who live in fear and distrust of one another.
Tells the story of Jesus Shuttlesworth, the most sought after high school basketball prospect in the nation. Jesus and his dream to make it to the big ranks in professional basketball are overshadowed by his father, Jake, who is spending his life in prison for killing Jesus' mother.Written by
The first major motion picture written-and-directed by Spike Lee not to have a performance from him in it. See more »
At first while D'Andre is touching Lala's neck, he's not wearing any ring - next scene he's wearing a silver ring on his ring finger. See more »
God ain't shit!
Number one, why you gotta use this kinda language? What you some kinda heathen now? You don't make no mistakes? You be out here shootin', but you don't miss no shots ever? EVER? People make mistakes! People veer off the path! God forgives them!
Has God forgiven you for killing my mother?
I pray that he has, Son. I believe he has. When will you?
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A fascinating performance by Denzel Washington in a solid film.
Denzel Washington has one of his greatest charcaters in Jake Shuttlesworth in this compelling film by Spike Lee. Jake is a man serving a life sentence for the accidental murder of his wife during a domestic dispute. The dispute centered around Jake's aggressive coaching of his young son Jesus who he is obsessed with turning into a basketball star. As the film opens we learn that Jesus (effectively played by Ray Allen) has indeed become a high school basketball star and is being now aggressively pursued by University teams and commercial agents. In a somewhat fanciful, yet unfortunately believable plot device the Governor promises Jake early release from prison if he can convince his son to go to Big State. Much of this film is amazingly well executed my only regret comes around some of the gender politics of the film (many of the female characters are underdeveloped and/or cartoonishly stereotyped). This is particularly unfortunate because the film has so much to say about the intersections of patriarchy/economic injustice/racism that I wish Spike Lee could have been a little more consistent with his development of the women characters (one notable exception is a brilliantly realized performance by Milla Javovich as a prostitute that rooms next to Jake). This said the film is still an important accomplishment and should be seen.
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