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Fantasia 2000 (1999)

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An update of the original film with new interpretations of great works of classical music.

Writers:

Eric Goldberg (story), Hans Christian Andersen (story "The Steadfast Tin Soldier") | 10 more credits »
4 wins & 6 nominations. See more awards »

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Cast

Credited cast:
Steve Martin ... Himself - Introductory Host
Itzhak Perlman ... Himself - Host (segment "Pines of Rome")
Quincy Jones ... Himself - Host (segment "Rhapsody in Blue")
Bette Midler ... Herself - Hostess (segment "Piano Concerto No. 2, Allegro, Opus 102")
James Earl Jones ... Himself - Host (segment "Carnival of the Animals")
Penn Jillette ... Himself - Host (segment "The Sorcerer's Apprentice") (as Penn)
Teller ... Himself - Host (segment "The Sorcerer's Apprentice")
James Levine James Levine ... Himself - Host (segment "Pomp and Circumstance"), Conductor (Chicago Symphony Orchestra)
Angela Lansbury ... Herself - Hostess (segment "Firebird Suite - 1919 Version")
Wayne Allwine ... Mickey Mouse (segment "Pomp and Circumstance") (voice)
Tony Anselmo ... Donald Duck (segment "Pomp and Circumstance") (voice)
Russi Taylor ... Daisy Duck (segment "Pomp and Circumstance") (voice)
Rest of cast listed alphabetically:
Michael George Michael George ... Musician
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Storyline

In this update of Disney's masterpiece film mixture of animation and music, new interpretations of great works of music are presented. It begins with an abstract battle of light and darkness set to the music of Beethoveen's Fifth Symphony. Then we see the adventures of a humpback whale calf and his pod set to "The Pines of Rome." Next is the humorous story of several lives in 1930's New York City, scored with "Rhapsody in Blue." Following is a musical telling of the fairy tale, "The Steadfast Tin Soldier" set to Dmitri Shostakovich's Piano Concerto No. 2. Then a goofy flamingo causes havoc in his flock with his yo-yo to the tune of the finale of "Carnival of the Animals." This is followed by the classic sequence from the original film, "The Sorcerer's Apprentice" starring Mickey Mouse and followed by "Pomp and Circumstance" starring Donald Duck as a harried assistant to Noah on his Ark. Finally, we see the awesome tale of the life, death, and renewal of a forest in a sequence ... Written by Kenneth Chisholm <kchishol@home.com>

Plot Summary | Plot Synopsis

Taglines:

15 years before 2018


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

16 June 2000 (USA) See more »

Also Known As:

Fantasia '99 See more »

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Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend USA:

$2,290,525, 2 January 2000

Gross USA:

$60,655,420

Cumulative Worldwide Gross:

$90,874,570
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS | IMAX 6-Track

Color:

Color

Aspect Ratio:

1.43 : 1
See full technical specs »
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Did You Know?

Trivia

The short (under three minutes) segment, "The Carnival of the Animals" was meant to be a tour de force for some animator. Director Eric Goldberg animated the sequence himself. His separate short, based on George Gershwin's "Rhapsody in Blue", was released as part of Fantasia 2000 (1999) and became, at 12 minutes, the longest segment. "Rhapsody in Blue," originally planned by director Eric Goldberg as a stand-alone independent film, was an eleventh-hour addition to the lineup. "The Nutcracker Suite" from the original Fantasia (1940) was originally planned for this spot, until a production hiatus allowed Goldberg an opportunity to allow the Disney animators to work on "Rhapsody in Blue." See the trivia for The Emperor's New Groove (2000). In the earliest trailer a clip was shown from the segment of "The Nutcracker Suite." However, when the trailer was re-purposed for the theatrical run in June of 2000, this segment was missing. Yo-Yo Ma had recorded a host segment for "The Nutcracker Suite." See more »

Goofs

In "Pomp and Circumstance", the elephant smashes Donald into the floor with its front leg. In the next shot it appears to have smashed Donald with its hind leg. See more »

Quotes

Bette Middler: Hi. You may not know this, but over the years, the Disney artists have cooked up dozens of ideas for new Fantasia segments. Some of them made it to the big screen this time. But others, lots of others - how could I put this politely - didn't. For example, the Danish illustrator Kay Nielsen drew these sketches for a segment inspired by Wagner's "Ride of the Valkyries." Here they are, and there they go. Now, Salvador Dali, you know, the "limp watches" guy, he got into the act with an idea that ...
See more »

Crazy Credits

Credits are superimposed over preliminary artwork. See more »

Alternate Versions

The Rat Scene from Piano Concerto No.2 See more »

Connections

Featured in The Many Faces of Donald Duck (2007) See more »

Soundtracks

Rhapsody in Blue
Written by George Gershwin
Performed by Bruce Broughton, The Philharmonia Orchestra and Ralph Grierson
See more »

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User Reviews

 
An Almost Flawless Masterpiece
1 September 2001 | by Robin-58See all my reviews

Although I was aware of the original plan to renew the Fantasia concept every so often, and that it was visualised as an ongoing project, I felt that going back after 60 years was too much, and that the original classic should be left alone. However, my initial scepticism was dispelled within seconds of the opening sequence. What we have here is a lush, vibrant fusion of animation and music, each fully complimenting the other to perfection. It's hard to pick a favorite sequence, but if really pressed, for personal taste alone, it would be the awesome sequence with the whales. Mickey's Sorcerer's Apprentice sequence is the only carry over from the original, and a worthy match for it in the 2000 lineup is the Donald "Noah".

The only criticism I have of the film is the bridging sequences, featuring Steve Martin, Penn & Teller, Bette Midler and others. I would have preferred that they stuck to one presenter, preferably James Earl Jones or Angela Landsbury. They seemed to take the material and the project far more seriously than Martin and Penn & Teller who's humor detracted from the dignity of the movie as a whole.


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