Character study about Mildred, an elderly woman who has spent her life caring for others. When her daughter finally leaves home, she finds that, for the first time in her life, she has ... See full summary »
In a desolate community full of drug-addled Marines and rumors of kidnapping, a wild-eyed stoner named Lou wakes up after a wild night of partying with symptoms of a strange illness and ... See full summary »
Vivian's family are penniless nomads, moving from one cheap flat to another in Beverly Hills so she and her brothers can attend the city's schools. Uncle Mickey sends them money to survive. When Mickey's daughter Rita runs away from an asylum, Vivian's dad offers shelter to her if Mickey will pay for a plush flat. Vivian must babysit her adult cousin, making sure she gets to nursing school and avoids pills and booze. But Vivian has her own problems: she's curious about sex, likes an older neighbor kid, has inherited her mother's ample breasts, and wants a family that doesn't embarrass her. Can she help Rita, keep Uncle Mickey happy, and feel OK about her body and her family?Written by
During filming, Natasha Lyonne was in a car accident on her way to the studio. She apparently hit the steering wheel so hard that she now has a noticeable scar on her chest. Production was shut for a few days before they shot the famous "vibrator scene" where she wears her nightgown pulled up to her neck to disguise the imprint of the steering wheel. See more »
Rita's hair switches from over her shoulder to on her back when she speaks to Vivian before they tell Rita's parents what she has, or hasn't learned at nurses school. See more »
[looking at his backseat]
There's blood. Do you still have your period?
No, I would've warned you.
What just happened here?
...Let's just get dressed.
Are you telling me I popped your cherry?
I didn't want to make a big deal out of it. I just wanted to get it over with. No ceremony.
That puts a lot of pressure on a man. Did you think of that? Did you think of me? You know what this makes me? A criminal. On 2 counts! Devirginizing a minor.
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This is a Jewish movie with the missing mom being a really key component. In the scene with Viv looking at the remote figure of the mom with two daughters as they leave to go shopping -- even (or especially) this mom who says big breasts are out of date, and who has provided her daughter with a nose job -- there is clear yearning for and respect for a mother. And in the responsibilities Viv is given and which she takes pretty courageously i'd say, she is a little mother to her family. Cousin Rita Abramovitz, on the other hand, is a female disaster, and Marisa Tomei's performance is spot on. Again, not comic. Human feeling and weakness showing through veneer of sexual energy. Our culture provides for sex first. Sex sells. There's a temporary sense of power, but this is not what people are. And Tomei gets that across. She disentigrates into illness. Elliott the pot dealer is drawn with accuracy and tenderness, recalling people i knew back then and illuminating them for me. The scene that was key for me in this motion picture is the father at his restaurant(with hair on his head in a lovely flashback)dealing with his cook. The meat. Could move the setting from Beverly Hills to the LaBrea tarpits . . . watching living creatures thrash and sink in the black goo of materialism.
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