Journalist Floyd from the U.S., Michael Henderson from the U.K., and their teams meet at the beginning of the Bosnian war in Sarajevo. During their reports, they find an orphanage run by ...
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Eunice is walking along the highways of northern England from one filling station to another. She is searching for Judith, the woman, she says to be in love with. It's bad luck for the ... See full summary »
Rosie and Vincent know each other for ten years, and are married for five. She doesn't like her job, he isn't too pleased working with her dad. They're trying to have a baby. One morning ... See full summary »
Nick, is a young Scottish soccer player living in the big city. He meets Karen, and the two fall in love and move in together. Soon after, Nick exhibits signs of serious illness. As his ... See full summary »
In an attempt to secure a sponsor, an unlikely group of Cuban refugees become a "family" as the U.S. Immigration and Naturalization Service gives families priority over others. In the ... See full summary »
There's little wonder in the working-class lives of Bill, Eileen, and their three grown daughters. They're lonely Londoners. Nadia, a cafe waitress, places personal ads, looking for love; ... See full summary »
In February 2002 in the Shamshatoo Refugee Camp in the North West Frontier Province in Pakistan, there are 53,000 refugees living in sub-human conditions since 1979 with the Soviet Union ... See full summary »
Journalist Floyd from the U.S., Michael Henderson from the U.K., and their teams meet at the beginning of the Bosnian war in Sarajevo. During their reports, they find an orphanage run by the devoted Mrs. Savic near the frontline. Henderson gets so involved in the kids' problems, that he decides to take one of the children, Emira, illegally back to England. He is assisted by American aid worker Nina.
Stephen Dillane met with the real-life journalist he plays in the film, Michael Henderson, but chose not to establish too much of a relationship with him as he wanted to create his own particular portrait of the man. See more »
When the bus is stopped by the Chetniks, the gun of the leader
alternates between being a type of Kalashnikov and a French FAMAS. See more »
In 1991, the country of Yugoslavia began to fracture into separate nations. On the pretext of maintaining Yugoslavia's integrity, the Serbian dominated Yugoslav army attacked first Slovenia, then Croatia.
In April 1992, in the hope of securing international protection, Bosnia declared its independence. This was rejected by many Bosnian Serbs. Aided by the remnants of the Yugoslav army, they set out to claim as much territory as they could.
They systematically cleansed towns and ...
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This is one very strange movie for me. On the one hand, it is undeniably bad. The movie tries to tell two types of stories, first it wants bo be a movie about war journalists, like Olliver Stone's Salvador. Then, it becomes a rescue movie when the main journalist tries to evacuate a nine year old girl from the war zone.
One problem is that these two stories don't hang well together at all. The journalist is totally uncharismatic. Then, there are cameos (don't let the cover fool you) of Woody Harrelson and Marisa Tomei. Very charming actors, but they don't get enough screen time.
What I think happened is that the director became overraught by the fact that they were _actually_ filming in Sarajevo itself, wanted to put too many things in, and in the end forgot what his job was - namely, to tell a story.
What I would have done, was focus much more on the little girl, her perspective of the war, which is much more interesting than watching some jaded journalists being jaded. Also, in the end, the war in Bosnia was about the people of Bosnia, not some parachuted in gonzos. It is in fact demeaning in itself that the people who suffered the most, are delegated to playing extras in some kind of movie that can't make up it's mind what story it wants to tell. At the same time, after focusing on the girl, I would have focused more on the Woody Harrelson character. He has a lot more going for him than the scrawny, balding lead, who's character, by the way, also isn't developed (why does he have a family back home?;What does his wife think of him flying off to the latest war zone?;Why does she accept that he does this dangerous job and in the process shacks up with Kerry Fox and Emily Lloyd?; Questions, questions...). The movie falls into the trap of, instead of telling a coherent, progressive story, wanting to mention every atrocity visited on the city of Sarajevo.
However, what it has going for it, are those rare moments. At times, the movie is effective in illustrating _how_ those people came to be dead, especially with the middle aged woman who was shot dead during the wedding party/procession. The images of the concentration camps are of course harrowing, and the scenes of the market place that was mortared are gruesome. There is an effective blending of news footage and movie, to the point where at _some_ point (not immediately) you don't know what is real and what is fiction. Ok. However, this does not make for a movie. Movies have to have characters you can root for - they don't _have_ to be Western journalists. I would have rooted for the little girl. Or her mom. Or the translator. You don't have to have American actors for it to play well in America (think of Crouching Tiger, Hidden Dragon). What has to be there is a good story, told well. And it unfortunately doesn't have the latter.
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