In Canton, Mississippi, a fearless young lawyer and his assistant defend a black man accused of murdering two white men who raped his ten-year-old daughter, inciting violent retribution and revenge from the Ku Klux Klan.
Samuel L. Jackson
In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve Dickie Greenleaf, a rich and spoiled millionaire playboy. But when the errand fails, Ripley takes extreme measures.
Rudy Baylor is a young attorney out to make a difference in the justice system. He is also the only hope of an elderly couple after their corrupt insurance company refuses to payout a claim that could save their child's life. In this judicial drama, Baylor rails against corporate lawyers, corrupt judges, and abusive husbands, all with the help of a fellow lawyer who hasn't even passed his bar exam. He is facing long odds in the courtroom - and this is only his first case.Written by
Steve Richer <email@example.com>
Leo Drummand's assertion (and motion) that stolen evidence is not admissible in a civil action is untrue. While there are recognized restraints on the federal and state governments, preventing them from using evidence that they obtain improperly (in particular, in violation of the Fourth and Fifth Amendments to the U.S. Constitution), in civil suits, lawyers can utilize stolen evidence. The evidence is subject to credibility concerns related to the methodology by which the evidence was obtained, and a person who steals evidence may violate the law, but the information is not rendered inadmissible, merely because it was stolen. See more »
Wine bottle and amount of wine in glass during the scene where Bruiser, Rudy, and Deck are eating. See more »
My father hated lawyers all his life. He wasn't a great guy, my old man. He drank and beat up my mother; he beat me up too. So you might think I became a lawyer just to piss him off. But you'd be wrong. I wanted to be a lawyer ever since I read about the Civil Rights lawyers in the 50s and 60s, and the amazing uses they found for the law. They did what a lot of people thought was the impossible. They gave lawyers a good name. And so I went to law school. And it did piss my father ...
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There is a credit for "Poet in Residence". See more »
Amiable yet smooth adaption of the John Grisham novel, that closely follows an inexperienced Memphis lawyer, Rudy Baylor (Matt Damon), who gets the unexpected feeling of being in the profession by taking three cases right away. The cases vary from an old woman who is unsure about what to do with some money, a savagely abused domestic victim, and a lawsuit involving a major health insurance company.
Writer-director Francis Ford Coppola and one of his writers from "Apocalypse Now", Michael Herr, handle the adaption fairly well in knowing what to keep from the story in and what to leave out. For someone who made himself a legend by adapting "The Godfather" and "Heart of Darkness", Coppola sure knows how to use a novel as the main source for creating a good tale here.
Plus, the movie has an excellent supporting cast (Danny DeVito, Jon Voight, Mary Kay Place, Claire Danes, Dean Stockwell, Virginia Madsen, Mickey Rourke, Roy Scheider, and Danny Glover) to be in the movie alongside Damon. Among the ones that come to mind, DeVito is great Deck, as a crafty (and humorous) para-lawyer who has trouble with the bar exam and helps Rudy in adjusting to the line of work, Voight's fine as the not-so-totally slimey lawyer that Rudy faces in the lawsuit, just looking at the Danes character for a second alone, is a really sad and Rourke is amusing as Brusier, the employer that Deck and Rudy desert when they find out that he's the target of a federal probe.
In conclusion, "The Rainmaker" may not be as highly memorable as "The Godfather" or "Apocalypse Now", however; it shows that Coppola still has the skills to be a great film-maker. It's nice to see someone who has been on hard times, bounce back with a good movie.
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