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Chasing Amy (1997)

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Holden and Banky are comic book artists. Everything's going good for them until they meet Alyssa, also a comic book artist. Holden falls for her, but his hopes are crushed when he finds out she's a lesbian.

Director:

Kevin Smith

Writer:

Kevin Smith
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Popularity
1,747 ( 2,643)
Nominated for 1 Golden Globe. Another 5 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ethan Suplee ... Fan
Ben Affleck ... Holden McNeil
Scott Mosier ... Collector
Jason Lee ... Banky Edwards
Casey Affleck ... Little Kid
Dwight Ewell Dwight Ewell ... Hooper X
Joey Lauren Adams ... Alyssa Jones
Guinevere Turner ... Singer
Carmen Llywelyn ... Kim (as Carmen Lee)
Brian O'Halloran ... Jim Hicks - Executive #1
Matt Damon ... Shawn Oran - Executive #2
Alexander Goebbel Alexander Goebbel ... Train Kid
Tony Torn Tony Torn ... Cashier
Rebecca Waxman Rebecca Waxman ... Dalia
Paris Petrick ... Tory
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Storyline

A pair of comic book authors named Holden McNeil and Banky Edwards, who live in New Jersey, have been best friends for 20 years. They spend their time working in their studio, and in the evenings they are going out. But their friendship is about to be disputed for the first time in their life, when a beautiful young lesbian woman named Alyssa Jones enters their life and Holden falls in love with her. Now Holden has to deal with Banky's jealousy, and with his new girlfriend's very rich past. Written by rsilberman

Plot Summary | Plot Synopsis

Taglines:

Finally, a comedy that tells it like it feels. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong graphic sex-related dialogue, language, sexuality and drug content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English

Release Date:

18 April 1997 (USA) See more »

Also Known As:

Chasing Amy See more »

Filming Locations:

New Jersey, USA See more »

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Box Office

Budget:

$250,000 (estimated)

Opening Weekend USA:

$52,446, 6 April 1997

Gross USA:

$12,021,272

Cumulative Worldwide Gross:

$12,021,272
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

While in the music store, and the little boy asks Hopper X to sign his comic book, when he walks up the stairs, you can see that it's an Avengers comic from the 80s, and not a copy of White Hating Coon. See more »

Goofs

During the hockey fight #12's helmet is off, then on, then off again. See more »

Quotes

[first lines]
Comic Book Writer #1: I don't know. I love Chow Yun Fat. I just don't see him playing Madman.
See more »

Crazy Credits

To all the critics that didn't like our last movie: "All is forgiven." See more »

Alternate Versions

Many things cut from the final version available on laserdisc/DVD editions: See more »

Connections

Referenced in Smokin' Aces (2006) See more »

Soundtracks

Stay
Written by 'Mary DeTravis'
Performed by Coal
Courtesy of Elektra Entertainment Group
By Arrangement with Warner Special Products
(Played after Holden and Alyssa fight outside of the ice rink)
See more »

Frequently Asked Questions

See more »

User Reviews

 
Adult, funny and moving - one of Kevin Smith's finest achievements
29 May 2007 | by MaxBorg89See all my reviews

With his third film, Kevin Smith tried to do something new for him: a grown-up film. As loved as it may (deservedly) be, Clerks is remembered for the crude humor rather than the plot, while Mallrats, which was meant to be a smart, amusing teen movie, turned out to be little more than a vehicle for Jason Lee's comedic talent. Chasing Amy is radically different: combining Smith's trademark superb dialogue, believable characters and a heartfelt story, it is one of the best, most insightful romantic comedies of the '90s, and the director's most satisfying picture aside from Clerks I and II.

Whereas his first two movies kept referencing other films as soon as there was time to do so, Chasing Amy centers on Smith's second great passion: comic-books. In fact, it all begins at a convention, where Banky Edwards (Jason Lee) and Holden MacNeil (Ben Affleck) are signing issues of their successful book Bluntman & Chronic. Afterwards, they hang out with fellow artists Hooper X (Dwight Ewell) and Alyssa Jones (Joey Lauren Adams), and while Banky spends all of his time arguing with Hooper over the racism in Star Wars (one of the funniest things Smith has ever written) or the gay subtext in Archie comics, something clicks between Holden and Alyssa, and soon enough they start seeing each other almost every day. It is obvious something deeper than friendship is in the air, and they both know it, yet there's a catch: Alyssa is a lesbian, or at least she used to be one before meeting Holden. Hence the big question: can they have a meaningful relationship with her past being such a huge burden? What kind of sacrifices will have to be made?

In another film, the boy-loves-lesbian premise would have been an excuse to deliver a 90-minute marathon of distasteful, gratuitously explicit jokes. Chasing Amy, on the other hand, is good because it really cares for its characters and whatever crudities there may be never feel excessive or out of place, but on the contrary they manage to convey the speaker's emotions more correctly (this is particularly true for Jason Lee's foolproof, energetic performance). The central love story is honest and touching, two characteristics that are evident in the realistic dialogue and acting: Adams, who hasn't managed to find a decent role ever since, portrays Alyssa as a human being, not a stereotype, and that's what makes her scenes with Affleck, always at his best when working with Smith, compelling and almost painful to watch.

Most of the time, Chasing Amy is a perfect balance between gross-out humor and tender romance, something the director kept toying with on the underrated Jersey Girl (where the jokes were less sweary than usual) and perfected with his masterpiece, Clerks II. There are, however, a few moments when Smith doesn't understand he has to stop and tells us everything about a certain character's personality, whereas he should simply have implied it. Overall, though, this feature remains one of the most hilarious, moving, revealing films of the '90s, with its best moment saved for the director himself: halfway through the movie, the mandatory Jay and Silent Bob (Jason Mewes and Smith) make their appearance. In all the other View Askew flicks, they are just incredibly funny. This time, Bob breaks his silence and gives a long, thoughtful speech that explains the film's title and has more to say about love and relationships than certain movies do in their entire running time. Astonishing.

8,5/10


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