200 years after her death, Ellen Ripley is revived as a powerful human/alien hybrid clone. Along with a crew of space pirates, she must again battle the deadly aliens and stop them from reaching Earth.
After her last encounter, Ellen Ripley crash-lands on Fiorina 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she has brought along an unwelcome visitor.
Charles S. Dutton,
Ellen Ripley is rescued by a deep salvage team after being in hypersleep for 57 years. The moon that the Nostromo visited has been colonized, but contact is lost. This time, colonial marines have impressive firepower, but will that be enough?
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
The saga continues 200 years after Ripley sacrificed herself for the sake of humanity. Her erstwhile employers long gone, this time it is the military that resurrects the one-woman killing machine through genetic cloning to extract the alien from within her, but during the process her DNA is fused with the queen and then the aliens escape. Now Ripley must decide where her allegiance lies.
It is unknown exactly what the name "Lacrima" refers to, although it could be the name of the weapon's manufacturer. The word lacrima means "tear" (as in teardrop) in Italian. See more »
When Ripley is taken to the main Alien hive, the scene opens with Gediman (Brad Dourif) cocooned on the wall. While audio can be heard of him ranting about how the Alien is now perfect, visually he is quite literally saying "blah blah blah". See more »
My mommy always said there were no monsters. No real ones. But there are.
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Many of the creature effects casting and mold making crew. Some long standing, heavily contributing members, were omitted from the credits. Supposedly due to budget concerns. See more »
The USA Network version is not as heavily edited for violence and language as other broadcasts. Only the most extremely violent scenes appear to have been edited by mere seconds. See more »
Following the disappointment of alien3's performance and the death of Ripley, it was thought that the alien franchise was finished, going out on a high - the completion of the films and Ripley, with Ripley dying in the struggle to kill the alien that had become her whole life.
Once the potential earnings had been calculated, it probably didn't take very long to decide to piece together a sequel. This was always going to be messy - can you do an Alien movie without Weaver? How can you bring your main character back to life? Alien v's Predator anyone?! Once they pieced together a script and got Weaver on board it was all set to go.
Let me lay my cards on the table - I don't like this film. Yes, the direction is brilliant visually with some great set pieces. The story is good for some of the film, turning the conspiracy story up to 10 with aliens being bred in captivity, but after the aliens get out the story is mostly a chase and kill deal and then goes onto some nonsense about a new breed of alien that looks like milky bars!
Apart from the visuals and the conspiracy angle this is pretty ordinary stuff, it doesn't deserve to be part of such a classic series. As a stand alone film it is OK but an Alien movie can't be just OK. The performances are so-so, Weaver enjoys the fact that her character is allowed to be more powerful than usual but this doesn't actually make it a better performance, the fact that Jeunet fills the film with the French actors from his other films makes it slightly more interesting but no less average.
Just because Jeunet put the guns back into the Alien series doesn't make it good. There isn't anywhere near the tension of the other movies and there's certainly no horror. A good sci-fi movie but it could be any movies, there's nothing that really means it could only be an Alien movie here.
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