The life of Fanny Brice, famed comedienne and entertainer of the early 1900s. We see her rise to fame as a Ziegfeld girl, subsequent career, and her personal life, particularly her relationship with Nick Arnstein.
Rose and Gregory, both Columbia University professors meet when Rose's sister answers Gregory's "personals" ad. Several times burned, the handsome-but-boring Gregory believes that sex has ruined his life, and has deliberately set out to find and marry a woman with absolutely no sex appeal. Greg thinks he's found what he's looking for in Rose, a plain, plump English Lit professor who can't compete with her gorgeous mother and sister. More out of mutual admiration and respect than love, Greg and Rose marry. Greg assumes that Rose understands that he is not interested in a sexual relationship. He's mistaken, and their marriage is nearly destroyed when Rose tries to consummate their relationship. While Gregory is out of the country on a lecture tour, Rose diets and exercises to transform herself into a sexy siren in a last-ditch attempt to save her marriage.Written by
Anthony Bruce Gilpin <firstname.lastname@example.org>
Richard Gere, Steve Martin, John Heard, Tim Allen, Robin Williams, Mel Gibson, Kurt Russell, Patrick Swayze, Jeff Daniels, Tom Hanks, Bill Murray, John Travolta, Billy Crystal, Chevy Chase, Burt Reynolds, Charles Grodin, Michael Keaton, Kevin Kline, Steve Guttenberg, Michael Douglas, Tom Selleck and Danny Glover were considered for the role of Gregory Larkin. See more »
When Candice leaves Gregory, she slings her bag over her shoulder and her right hand is alternately on/off the strap in subsequent shots. See more »
You are the mother of the bride, not the opening act.
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The production values are great; the sentiments are false.
I just saw this film again the first time since 1996. The production values for this film were great, but the sentiments are false. First I have to say that the acting is superb, especially Streisand and Bacall. Their mother-daughter revelation scene is wonderful, a gem shared by 2 consummate actresses.
Here's the dishonesty: In the first half, we see that everyone who's attractive is also defective in some way. Husband is a jerk, sexless, a bore, mother jealous and vain, sister has no personality. In fact, why is Streisand so madly in love with a man who's such a jerk? Streisand shines as funny, intelligent, personable, well-liked by everyone. And our view of what's pretty has changed a lot since Streisand came along in the 60's. Meryl Streep's long nose or Jolie's oversize lips would never have been acceptable before Streisand. OK, she doesn't know how to dress, but is certainly printed as attractive. The camera, as usual, loves her. And in real life Streisand has always been attractive to attractive men.
After showing us that physical beauty is not that important, the film then goes on to prove that the same woman, made more physically beautiful, can now attract her cold jerk of a husband and her sister's shallow ex. Husband even tells her that he's always found her sexy, it's just that he hadn't been interested. Such inconsistency in the writing.
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