6.6/10
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Total Eclipse (1995)

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1:46 | Trailer

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Young, wild poet Arthur Rimbaud and his mentor Paul Verlaine engage in a fierce, forbidden romance while feeling the effects of a hellish artistic lifestyle.

Director:

Agnieszka Holland

Writer:

Christopher Hampton (screenplay)
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Leonardo DiCaprio ... Arthur Rimbaud
David Thewlis ... Paul Verlaine
Romane Bohringer ... Mathilde Maute
Dominique Blanc ... Isabelle Rimbaud
Félicie Pasotti Félicie Pasotti ... Isabelle, as a child (as Felicie Pasotti Cabarbaye)
Nita Klein Nita Klein ... Rimbaud's Mother
James Thierrée James Thierrée ... Frederic (as James Thiérrée)
Emmanuelle Oppo Emmanuelle Oppo ... Vitalie
Denise Chalem Denise Chalem ... Mrs. Maute De Fleurville
Andrzej Seweryn ... Mr. Maute De Fleurville
Christopher Thompson Christopher Thompson ... Carjat
Bruce Van Barthold ... Aicard
Christopher Chaplin ... Charles Cros
Christopher Hampton ... The Judge
Mathias Jung Mathias Jung ... Andre
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Storyline

In 1871, Paul Verlaine (1844-1896), an established poet, invites boy genius Arthur Rimbaud (1854-1891) to live with Paul and his young pregnant wife, Mathiltde, in her father's home in Paris. Rimbaud's uncouth behavior disrupts the household as well as the insular society of French poets, but Verlaine finds the youth invigorating. Stewed in absinthe and resentment, Verlaine abuses Mathiltde; he and Rimbaud become lovers and abandon her. There are reconciliations and partings with Mathiltde and partings and reconciliations with Rimbaud, until an 1873 incident with a pistol sends one of them to prison. Codas dramatize the poets' final meeting and last illnesses. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Touched by Genius. Cursed by Madness. Blinded by Love. See more »


Motion Picture Rating (MPAA)

Rated R for strong sexuality and nudity, language, and some startling violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Fine Line Features

Country:

UK | France | Belgium

Language:

English

Release Date:

3 November 1995 (USA) See more »

Also Known As:

El fuego y la sombra See more »

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Box Office

Budget:

$8,000,000 (estimated)

Gross USA:

$339,889
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby SR

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Volker Schlöndorff was originally attached to direct. See more »

Goofs

In the Café Andre where the adult Isabelle Rimbaud meets with Paul Verlaine, the typeface on the window is clearly in Helvetica, a typeface that was not created until 1954. See more »

Quotes

[first lines]
Paul Verlaine: Sometimes he speaks in a kind of tender dialect of the death which causes repentence, of the unhappy men who certainly exist, of painful tasks and heartrending departures. In the hovels where we got drunk he wept looking at those who surrounded us, the cattle of poverty. He lifted up drunks in the black streets. He had the pity a bad mother has for small children. He moved with the grace of a little girl at catechism. He pretended to know about everything, business, art, medicine. ...
See more »

Connections

Remake of Teljes napfogyatkozás (1989) See more »

Soundtracks

Arrival
Composed by Hank Deckon and Jan A.P. Kaczmarek
Performed by Warsaw Symphony Orchestra and Wilanow String Quartet
Conductor [Warsaw Symphony] Krzesimir Debski
See more »

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User Reviews

 
Genius
22 September 2004 | by B24See all my reviews

Genius is by nature sui generis. Most of us can only observe and wonder, and from time to time pretend we are similarly gifted. As for the actual behavior of genius, it almost always entails what is commonly known as bad manners.

The other striking feature of genius, for some but not all, is what is commonly known as insanity. Although modern science has defined various types of mental disorder and found causes and cures for some of them, it really begs the question to try to judge character or morality on the basis of scientific data. Art lies after all outside the realm of science, and always will do.

Having said that, I believe the film Total Eclipse must be reviewed or criticized solely on whether it is a good work of art. My opinion is that it succeeds at some levels, and fails at others.

I accept that the writer and director knew exactly what they were doing at every step. Except for a few quibbles about editing, I agree that the artistic concept and the technique are first rate. The musical score is excellent. The camera angles are generally adept at conveying the actions and emotions of the cast. Outdoor scenes tend to be well conceived.

Unfortunately, all that falls by the wayside because of flaws in relating the story accurately and well to its origins. Anyone familiar with the lives and work of Verlaine and Rimbaud can only cringe at the superficiality of this film. As many others have pointed out, scant attention is paid to verse, and then only in a language -- English -- that only approximates the original. It would have been a graceful beginning to make this film in France with French characters speaking French, then allowing the subtitles to fill in the gaps for non-French-speaking viewers.

What that conclusion implies, of course, is that the primary cast is wrong for this film. I really hate to say that, because DiCaprio and Thewlis are great actors doing the best they can to carry the film forward. Although I would have picked a different physical specimen for the role of Verlaine (for some odd reason the face of the late German director Fassbinder comes to mind), the choice of an androgyne for Rimbaud was physically right on target.

Finally, I am appalled at some of the comments here that betray a preoccupation with sex. "Zany" is the only word one can apply to subjective and even judgmental interpretations of this film about this or that scene or bit of action not in accord with a viewer's personal sexual expectations. My own view is that this was, if anything, a highly bowdlerized adaptation of reality.

In short, recast this in French, and focus more on the full text of Rimbaud's genius.


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